Showing posts with label Bill Crider. Show all posts
Showing posts with label Bill Crider. Show all posts

Sunday, July 4, 2010

DAMN NEAR DEAD 2's table of contents!

Behold, the table of contents from this November's Damn Near Dead 2: Live Noir or Die Trying! (trade paperback original; 978-1-935415-40-4; $18)...

Take a stroll down the boulevard of broken hips...
DAMN NEAR DEAD 2

Edited by Bill Crider
Introduction by Charlaine Harris

“Sleep, Creep, Leap” (by Patti Abbott)
“El Conejo” (by Ace Atkins)
“Stiffs” (by Neal Barrett, Jr.)
“The End of Jim and Ezra” (by C. J. Box)
“Out Stealing Buddha” (by Declan Burke)
“Love Story” (by Scott Cupp)
“All About Eden” (by Christa Faust)
“Flying Solo” (by Ed Gorman)
“Neighborhood Watch” (by Carolyn Haines)
“Memory Sketch” (by David Handler)
“Some Things You Never Forget” (by Gar Anthony Haywood)
“The War Zone” (by Cameron Pierce Hughes)
“You’re Only Dead Once” (by Dean James)
“The Sleeping Detective” (by Jennifer Jordan)
“Kids Today” (by Toni L.P. Kelner)
“The Old Man in the Motorized Chair” (by Joe R. Lansdale)
“Angel of Mercy” (by Russel McLean)
“Miss Hartly and the Cocksucker” (by Denise Mina)
“Sometimes You Can’t Retire” (by Marcia Muller)
“The Investor” (by Gary Phillips)
“Bill in Idaho” (by Scott Phillips)
“Zypho the Tentacled Brainsucker from Outer Space vs. the Mob” (by Tom Piccirilli)
“Trade Secret” (by Bill Pronzini)
“The Summer Place” (by Cornelia Read)
“Warning Shot” (by James Reasoner)
“Cutlass” (by Kat Richardson)
“Chin Yong-Yun Takes the Case” (by S. J. Rozan)
“Granny Pussy” (by Anthony Neil Smith)
“Old Men and Old Boards” (by Don Winslow)

I am so excited about this anthology... as with the first DND, there isn't a clunker in the bunch! Scheduled to be launched at NoirCon in Philadelphia, Nov. 4-7!

And don't forget the award-winning anthology that started it all!
Damn Near Dead
(edited by Duane Swierczynski; trade paperback original; 978-0-9767157-5-7; $18)

Tuesday, February 16, 2010

DAMN NEAR DEAD 2 cover!

Here it is! Drawn by super-talented artist Jeff Wong (who also provided the cover for Tower), the cover of Damn Near Dead 2, BFP's fall 2010 geezer noir anthology. I crack myself up every time I look at it!

Damn Near Dead 2: Live Noir or Die Trying
Edited by Bill Crider. Introduction by Charlaine Harris.
Trade paperback original / $18 (Canada $21.95)
November 2010 / 978-1-935415-21-3

Featuring original "geezer noir" stories by Ace Atkins, C. J. Box, Christa Faust, Ed Gorman, Carolyn Haines, Joe R. Lansdale, Denise Mina, Marcia Muller, Bill Pronzini, Cornelia Read, Kat Richardson, S. J Rozan, Don Winslow, and more!

But have you read the first, award-winning geezer noir anthology, Damn Near Dead (paperback original; $18)?? Find it here!

Saturday, January 23, 2010

BFP's 2010 schedule!

Here are the books coming out from Busted Flush Press in 2010. Enjoy!

February
Just Enough Light to Kill (by A. E. Maxwell)
Paperback, $14, 978-1-935415-02-2

March
Misleading Ladies (by Cynthia Smith)
Paperback, $13, 978-1-935415-04-6

May
Killer Instinct (by Zoë Sharp)
With a new foreword by Lee Child.
Paperback original (first U.S. publication), $15, 978-1-935415-13-8

June
Old Dogs (by Donna Moore)
Paperback original (first U.S. publication), $15, 978-1-935415-24-4

July
Riot Act (by Zoë Sharp)
Paperback original (first U.S. publication), $15, 978-1-935415-15-2

September
Soul Patch (by Reed Farrel Coleman)
With a new foreword by Craig Johnson.
Paperback, $15, 978-1-935415-09-1

Hard Knocks (by Zoë Sharp)
Paperback original (first U.S. publication), $15, 978-1-935415-10-7

Tomato Red (by Daniel Woodrell)
With a new foreword by Megan Abbott.
Paperback, $15, 978-1-935415-06-0

October
Dark End of the Street (by Ace Atkins)
Paperback, $15, 978-1-935415-17-6

Empty Ever After (by Reed Farrel Coleman)
With a new foreword by S. J. Rozan.
Paperback, $15, 978-1-935415-19-0

November
Damn Near Dead 2: Live Noir or Die Trying (edited by Bill Crider)
With an introduction by Charlaine Harris.
Paperback original, $18, 978-1-935415-40-4

A Cool Breeze on the Underground (by Don Winslow)
Paperback, $15, 978-1-935415-21-3

And coming in early 2011:
Silver and Guilt (by Cynthia Smith)
Road Kill (by Zoë Sharp)
The Death of Sweet Mister (by Daniel Woodrell; with a new foreword by Dennis Lehane)
Bloody Kin (by Margaret Maron)

Thursday, October 8, 2009

DAMN NEAR DEAD 2, just a year away!

With the Bouchercon World Mystery Convention nearly upon us (next week in Indianapolis... and if you haven't yet registered, it's not too late!), I thought this would be a good opportunity not only to announce the list of planned contributors to BFP's sequel to the award-winning "geezer noir" anthology, Damn Near Dead (edited by Duane Swierczynski), but also to give a plug to the convention at which it'll be launched next November!

First, the scheduled line-up (with possible surprise additions later!) of Damn Near Dead 2...

Patti Abbott
Ace Atkins
Neal Barrett, Jr.
C. J. Box
Declan Burke
Scott Cupp
Christa Faust
Ed Gorman
Carolyn Haines
David Handler
Gar Anthony Haywood
Dean James
Jennifer Jordan
Toni Kelner
Russel McLean
Denise Mina
Gary Phillips
Scott Phillips
Tom Piccirilli
Bill Pronzini
Cornelia Read
James Reasoner
Kat Richardson
SJ Rozan
Anthony Neil Smith
Don Winslow


Wow!! It doesn't get much better than that. All of it presided over by editor Bill Crider (whose story, "Cranked," from the first Damn Near Dead was nominated for the Edgar & Anthony and won the Derringer!) and with an introduction by Charlaine Harris!

As we get closer to the release, we'll feature on the blog, excerpts & bios & whatnot, so please stay tuned through 2010. But you definitely need to mark your calendars now for the main launch event: NoirCon 2010 in Philadelphia! There's a good chance that many of the contributors will be at the convention (which is, of course, dedicated to noir & hard-boiled crime fiction... books, graphic novels, movies, TV, more!), so what better place to get your copies signed by several authors.

NoirCon will also mark the release of Akashic Books' latest in their noir anthology series, Philadelphia Noir. Guests of Honor include George Pelecanos & Johnny Temple (owner of Akashic Books). Please go here for more information on NoirCon (or to register).

Sunday, August 9, 2009

DAMN NEAR DEAD... the sequel!

In 2006, Busted Flush Press released its first original short story collection, Damn Near Dead (edited by Duane Swierczynski, introduction by James Crumley; 0-9767157-5-9; trade paperback original; $18). With 27 all-new "geezer noir" tales by some of today's top writers -- including Laura Lippman, Stuart MacBride, Mark Billingham, John Harvey, Megan Abbott, Colin Cotterill, Ken Bruen, Reed Farrel Coleman, Jeff Abbott, and many more -- DND went on to earn five award nominations and one win (for Bill Crider's "Cranked"... read "Cranked" for free here).

And now... a sequel is in the works!

Alvin, Texas, crime writer Bill Crider (whose DND story was an Edgar nominee!) returns to "geezer noir," this time as Damn Near Dead 2's editor. The anthology will debut at NoirCon (Nov. 4-7, 2010; Philadelphia, PA) with several of the contributors in attendance.
And just who are the contributors?? Well, stay tuned... Trust me, this will be quite a line-up!!

Thursday, March 19, 2009

DAMN NEAR DEAD news!

For an anthology published back in 2006, Damn Near Dead is still plugging along...

Internationally best-selling, award-winning thriller writer Jeff Abbott (Panic, Fear, Collision) has just sold a film option on his hitman short story, "Tender Mercies," from Damn Near Dead: An Anthology of Geezer Noir (edited by Duane Swierczynski; Busted Flush Press; 2006; trade paperback original; $18). Jeff has this to say on his blog:

"'Tender Mercies' is about a 70-year-old retired CIA hit man who hires himself out under a false name and gets hired to kill a dangerous target: himself. I remember when I wrote the story I really liked the main character, Lionel, and kept thinking I should bring him back in a novel -- he felt too big for the constraints of a short story. My wife said Lionel was one of her very favorite characters of mine and kept urging me to write another story with him. (I don't think, though, I can say Lionel is 'mine' -- he seems to belong to himself.) I'm glad that Lionel will have a chance now to star in his own, expanded story. (Obviously, the story has to be expanded to feature length.) For those who think suspense is all about plot, think again: the character of Lionel is what's driving the project. I'm thrilled to be working with Adam Wilkins (a very smart young producer)."

That's just the latest in good news for Damn Near Near Dead contributors... here's more:

* Bill Crider ("Cranked") earned a Derringer Award, and Edgar & Anthony nominations.
* Stuart MacBride ("Daphne McAndrews & the Smackhead Junkies") was nominated for a Derringer.
* Megan Abbott's "Policy" earned an Anthony nomination and became the basis for her Edgar Award-winning novel, Queenpin (Simon & Schuster).
* Maxim Jakubowski chose four stories -- John Harvey's "Just Friends," Allan Guthrie's "The Killer Beside Me," Mark Billingham's "Stepping Up," and Donna Moore's "Pros and Cons" -- for his anthology, The Mammoth Book of Best British Mysteries (Running Press; April 2008).


Find Damn Near Dead at your favorite indie, chain, and online booksellers!

Monday, March 16, 2009

JUST ANOTHER DAY IN PARADISE excerpt

Excerpt from Chapter One

LIKE THE RICH, California is different. But not that different. One of the new cities up the coast from me has a motto that says it all. “Just another perfect day in Paradise.” Honest to Christ. People will believe anything, but anyone over the age of twelve should be smart enough not to say it out loud.
Still, that motto runs through my mind every time I look out the big window of my house on the bluff. When the cottage was built, picture windows were the technological equivalent of silicon chips. The glass is so old that it has ripples and tiny bubbles. The flaws add texture to the streamers of gold and red, purple and cobalt that make up the standard southern California sunset. Yes indeed. Another day in Paradise.

But I didn’t say it out loud.

If the ocean at the western edge of California has a failing, it’s a certain lack of texture. Fine color, outstanding light, but not too much character. Out beyond the smog that hugs the water on some summer days, Catalina is the color of unfiltered wine. The island’s blunt stone cliffs are all that save the Gold Coast from being just another pretty face.

What I call the Gold Coast stretches along the California shoreline about fifty miles, from Malibu halfway to San Diego. Even though I invented the name, I’m sure other people must use it, too. It’s the only name that fits. Los Angeles doesn’t really touch the Gold Coast. Sure, L.A. has a couple of windows to the sea in the Palisades and the Marina, and a kind of Polish Corridor to the Port of San Pedro. But the Gold Coast is the rest of Southern California, the outer city to L.A.’s inner sprawl. The Gold Coast’s capital is Newport Beach. Its other major cities include Laguna Beach and the People’s Republic of Santa Monica. Seven million dreams and disillusionments with nothing in common but the Pacific Ocean.

Besides having the most beguiling climate on the North American continent, this stretch of the Pacific rim is characterized by a lack of tradition that’s either alluring or appalling, depending on whose column you’re reading. Houses older than twenty-five years qualify for attention from the local historical society. Basically, everybody is inventing the place as they go and spending a great deal of money in the process. It’s a place where the pecking order changes with the interest rates, which means there is a continuous shoving match for seats above the salt shaker. The competition gets a bit fierce at times. Along the Gold Coast, cocktail parties are a form of blood sport.

I like the place, because I like to invent life as I go along. The Coast, as natives call it, is the magnet that has drawn the best, brightest, meanest, and most aggressive folks in the hemisphere. In the world, if you include the Vietnamese and Iranian contingent. I’m not talking about Boat People or fanatic Muslim students; I’m talking about the people who got out flying their own planeloads of gold while their countries blew up around them.

There is, of course, a social hierarchy on the Gold Coast, but it’s almost an inverted pyramid. The more important the individual, the less likely he is to be recognized as such. Even oil princes keep a low profile. On this scale any elected politician is, by definition, unimportant. No man of real significance would expose himself to such humiliation. The less visible and more wealthy, the more important.

That makes it convenient for me. A low profile has survival value.
Where do I fit in this scheme? I’ve asked myself that question a few times, especially after I got enough money to sit on my butt until it went numb. How much money? Like I said, enough. Enough money is when you never have to think about it. Yeah, I hear you. If you don’t think about it, how do you get it, much less keep it? Simple. You have an uncle three years older than you who dies penniless and leaves you with a steamer trunk full of greasy $20s, $50s, and $100s. Then you happen to be married at the time to a honey-blond tiger shark of an investment banker whose middle name is Midas.

In no time at all you have more money than you can count, an ex-wife, a numb butt, and a desire to kill something. Anything. You’ve discovered that the only thing worse than not liking your work is not having any work to dislike. After you’ve bought everything you thought you ever wanted, drunk ancient and unpronounceable wines, eaten ancient and unpronounceable cuisines, chased and caught the best ass on this or any other coast—what then?
Numb butt, that’s what. And rage. The Chinese knew what they were doing when they cursed their enemies with a single phrase: May your fondest wish come true.

Not that I’m mad at Fiora. She was only doing what she does best—make money. I don’t ask those suicidal questions anymore: Who was wrong and who was right, who was innocent and who was screwed I just sign the contracts she puts in front of me. We get along a lot better now than we did when we were married. I don’t even get mad at her when she spends my money. After all, she earned it, with some help from Uncle Jake, and he is in no position to object to how his ill-gotten gains were laundered.

There is, of course, still some problem with having that much money, particularly when you weren’t raised with it. Being proud of doing nothing was not one of the things they taught me in northern Montana. You may not have to be born into wealth to enjoy it, but indolence is something else. It wasn’t the guilt that got to me. It was the boredom.

For a time I even considered going back to fiddling. Serious fiddling that is. The kind you do with an orchestra. I had been a nine-day wonder with the violin when I was younger. They told me I was good. The best. I might have been, but not to my own goddamned ear. Perfect pitch. Human hands. The twain only meet in my dreams. Long ago I threw that ravishing, bastard violin under the wheels of a southbound Corvette. But with more time, enough money to buy the best . . . ? So I picked up a violin, felt the strings vibrate through my soul as I drew the bow down, and was haunted by a perfection I couldn’t touch.
Maybe when I’m sixty, and perfect pitch is only a memory. Maybe then I’ll play again.

Finally I struck on an idea that comforts me in about the same way libraries comforted Andrew Carnegie. It’s called giving people a hand. I figure that I got lucky and other people didn’t. So I’ll spread my luck around as long as I have it.

That’s how I got the extra crack in my skull, my nose rearranged, and a few odd scars over my body. As the government would put it: Interfering in other people’s business can be hazardous to your health. I keep sawing away, though, fiddling with the world’s distribution of bad and good luck.
I never fool myself into believing I do it for anybody but me, to make me feel better. Well, almost never. Every time I forget, I get myself into trouble. Take my wife. Or my ex-wife, to be precise. And that is both halves of the problem—ex and wife. I am still absolutely mad about the woman that I was once married to. Fiora feels the same way about me, which is why we end up chasing and catching one another every few months. She has the smallest waist and the most beautifully formed breasts of any woman I have ever seen, and, in some ways, she’s the smartest person I know.

Every couple of months, for one night or even two, we have an absolutely wonderful time with one another. Then the old troubles set in. We are cursed. Same appetites, different metabolism. No matter what time or how thoroughly Fiora was bedded the night before, she bounces up from our sheets full of the sharp desire to slay dragons, always not much more than five minutes before or after 6 A.M. She varies about as much as your average vernal equinox.
On the other hand, I’m likely to need a jump start from a twelve-volt system. If I’m out of bed before 9 A.M. it’s only because the day is going to be too hot to run after then. The pounding of three miles on pavement, a modest round of weights and mantras, Mencken or whoever, and I’m ready to face the world. But just barely.

Fiora never understood that about me. And I never understood what it’s like to face dawn with a predatory smile. Midnight, now—yeah, that’s different. Like I said; same appetites, different metabolisms. A fact of life that we both curse with regularity. In another era we probably would have remained married and made one another miserable for forty or fifty years before we reached our angle of mutual repose. But in our modern and supposedly enlightened age, we split the blanket after a few years of trying. I wish to hell I knew whether that was the smart thing to do. So does Fiora. We probably won’t know for another thirty or forty years. All I know is that sometimes she can crush my heart with a single look. She says I can do the same to her. Sometimes. When the times mesh, it’s extraordinary. When they don’t—well, there’s always next time. Isn’t there?
The hope of a next time was why I was sitting in her office on the nineteenth floor of one of the smoked-glass commercial cathedrals along Century Park East in Century City. I was there even though I knew that, at the moment, Fiora was keeping company with a slick European named Volker. Fiora and I were together long enough that we’re possessive, but we owe one another enough that we don’t keep track. So when Fiora called me this morning, at least half an hour before I’m normally human, and asked me to drop by about 11 A.M., I replied with one word:

“Sure.”

I should have stayed in bed....

--------------------------------------------

A. E. Maxwell's first Fiddler & Fiora novel, Just Another Day in Paradise (trade paperback; $13), has just been reprinted, available for the first time in fifteen years! Find copies at your favorite independent, chain, or online bookseller. See the list at the right for some of the indies that support & stock BFP titles.

"David Thompson at Busted Flush Press is bringing back some of [A. E. Maxwell's Fiddler] books, which is going to make a lot of readers happy.... Fiddler is tough, resourceful, and competent. Fiora is beautiful and smart. Maxwell keeps turning up the tension, and the book doesn't pause for breath. If you're not acquainted with the series, this is a great time to change that. If you remember it fondly, now you can read it again in a good-looking trade paperback edition. Check it out." -- Bill Crider, Edgar Award-nominated author of Murder in Four Parts

Tuesday, January 27, 2009

Special guest: Edgar Award nominee Bill Crider

As he has long been a friend and supporter of Murder By The Book and the mystery world in general, it made us all proud when Alvin, Texas, mystery writer Bill Crider earned an Edgar Award nomination for his darkly comic short tale, "Cranked" (in Damn Near Dead / read it here for free!). His 16th Sheriff Dan Rhodes novel, Murder in Four Parts (St. Martin's Minotaur), pubs in February. The Dan Rhodes books are a lot of fun, but personally, my favorite works of his are the five featuring Galveston private eye Truman Smith. Find his own blog at billcrider.blogspot.com, but he graciously contributed an entry for BFP's. Read on...

--------------------------------------------

When David Thompson asked me to write something for his Busted Flush Blog, I was flattered, but I didn’t really know what I could say. After all, I have my own wildly popular blog to attend to.

But then it occurred to me that I never really write anything for my own blog. Well, aside from a few movie and book reviews, I mean. Other than that, I just put in stuff I pick up from my web surfing, whatever amuses me. So maybe there was something I could write about for David, after all. He gave me plenty of leeway. In fact, he said:

"It can be about ANYTHING... it does NOT need to have anything to do with the press, Murder By The Book, our authors, nothing... it can be about whatever you want it to be, as long as it's mystery/crime related... your favorite author no one knows about... your writing habits... your favorite living writers... your top ten books... all of the above?"

Ah, my writing habits. I remember the good old days when I had them. I was a very self-disciplined guy once upon a time, mainly because I had to be. I had a full-time job as the chair of the Division of English and Fine Arts at Alvin Community College, so I could write only in what I laughingly referred to as my "spare time," that is, the time not spent teaching class, holding office hours, going to meetings, and grading papers. Not to mention having a family life. Mainly that meant writing after seven in the evenings, and that’s what I did for many years. Somehow I managed to produce fifty or sixty novels between the publication of the first Sheriff Dan Rhodes book in 1985 and my retirement from the college in 2002. That’s a lot of books per year, but I was an English major, so you’ll have to do the math on your own if you want to know what the average is. My lack of math skills also explains why I don’t know exactly how many books I wrote. I’m not the kind to keep track. For all I know, it might have been more.

What? You say you’ve seen my bibliography and it didn’t include that many books? That’s because a lot weren’t published under my own name. Only the mysteries and westerns were "Bill Crider" books. The horror novels were done by "Jack MacLane," and all the others were done under various house names. Some of those are an open secret, but the others are so secret that no one will ever know. Except me and maybe one or two others, that is.
How did I write so much? Seat of the pants in the seat of the chair. Every night. And I mean every night, birthdays, holidays, and all. For years and years I never missed a day. It can be done.

Now that I’ve retired from the college, I don’t write as much and my discipline is lax. Laziness is part of it, and of course I’ve found other ways to spend my time, like blogging. And, sad to say, publishers aren’t knocking down my door these days. In fact I just turned in the final book of a two-book contract with St. Martin’s. With the turmoil the publishing world is in right now, who knows what the future might hold. Not me. I may find that I’ve retired from the writing game. We’ll just have to wait and see.

As for Murder by the Book, I was thinking about the store the other day when I went in for the little celebration they had in honor of McKenna Jordan’s assuming the mantle of ownership. I first visited the store in the late summer or early fall of 1983, not long after we moved to Alvin. I’d attended my first meeting of the Houston MWA chapter with a friend, and he suggested we drop by. I met Martha Farrington that day, and I believe Dean James might have been there as well. McKenna wasn’t there. She was about two years old, and if you think that makes me feel ancient, you’re absolutely right.

And then there’s David Thompson’s Busted Flush Press. What can I say? It was my story in a Busted Flush book, Damn Near Dead, that brought me my only Edgar nomination, so I’ll always have a warm place in my heart for Busted Flush, and for David and Duane Swierczynski, (the editor) who gave me the chance to write the story. I think small presses like this one might well be the wave of the future. They’re publishing some wonderful books, both originals and reprints, and given the chaos in big-time publishing these days, the small presses have a great opportunity to shine.

Okay, I didn’t write about everything that David mentioned, but that’s probably more than enough. I’ll stop now. Thanks for the loan of the forum, David. [You're welcome, Bill!]

Monday, January 19, 2009

THE JAMES DEANS excerpt


Chapter One

THE RECEPTION WAS at the Lonesome Piper Country Club. The piper was so lonely because no one could afford the membership dues. Situated on a twenty-four-karat parcel of Long Island’s Gold Coast, the clubhouse, the former manse of a railroad robber baron, sat on a tree-lined bluff overlooking the Sound and Connecticut beyond. One peek at the place and you immediately understood why Old New York money had claimed this piece of the island as its enclave.


I had to admit that even if the marriage didn’t last the honeymoon, Craig and Constance would have a hell of a wedding album. As the photographer clicked away—“That’s right. That’s right. Groom, turn a little more to your left. Good. Smile. Perfect. Perfect. Hold it. Just one more . . .”—I couldn’t help but be curious how Aaron and I had wound up on the guest list. Considering the social status of our fellow invitees, my brother and I had a lot more in common with the help.


Constance had worked for us for about six months while she was finishing up at Juilliard. That was over a year ago, and it wasn’t like she was employee of the century or anything. True, we liked her well enough, as did our customers, but we never fooled ourselves that she’d stay on. Constance was a wealthy, handsome, and talented young woman who was more playing at work than working. It was as if she were fulfilling some sort of missionary obligation to teach the children of the Third World how to read.


Frankly, I didn’t care why we were invited. All I knew was that Katy, my wife, was in better spirits today. Smiling, even dancing with me a little, she seemed almost her old self. She had taken time with her makeup, fussed with her hair, worn a dress that accentuated her curves. She had kissed me hard on the mouth for the first time in months, making a show of wiping her lipstick off my lips with her fingers. It was as if she had awoken from a coma.


“Excuse me, sir,” a red-jacketed waiter said, just touching my shoulder. “Mr. Geary, the bride’s father, would like a word. He’s waiting for you in the East Egg Room.”


It wasn’t up for discussion, and I was curious anyway.


The East Egg Room was a private space on the other side of the clubhouse, away from the dining area and close to the men’s locker room. It was all walnut paneling, green glass ashtrays, and nailhead chairs, and smelled like the ghosts of my father’s cigars. This was the place where members played poker, drank scotch or cognac, made private deals. Mr. Geary smiled at my entrance, but with proper restraint. Six feet tall and square shouldered, he was a man of sixty with the weathered good looks of a cowboy. A cowboy with a North Shore dentist and a personal trainer. He looked perfectly at ease in his surroundings and gray morning coat.


“Mr. Prager,” Geary said, offering me his firm hand. “A pleasure to meet you. Connie tells me you and your brother treated her very well during the time of her employment. I trust you and Mrs. Prager are enjoying yourselves.”


“Very much so. Thank you.”


He cleared his throat. The prepared text or pretext out of the way, he was ready to move on to the real business of the day.


“Do you know Steven Brightman?” my host asked, picking up his Manhattan off a green-felt-covered card table.


“Should I?”

“Come, take a stroll with me, Mr. Prager.”

We stepped through the pro shop, toward the practice putting green and along the driving range. Several of the members nodded to Geary; a few took a moment to congratulate him. They regarded me with suspicion, some scowling as if I were one rung up the evolutionary ladder from silverfish.

“Do you follow politics, Moe? May I call you Moe?”

“No and yes. I’m an ex-cop, Mr. Geary. Cops don’t have much use for politicians, though politicians got lots of uses for cops. None of ’em any good as far as I can tell. And yeah, you can call me Moe.”


“Though I sometimes find them as distasteful as you do, a man in my position inevitably makes the acquaintance of several politicians.”


“No doubt.”


He pointed out to the first-hole tee box. “Do you play?”


“Some. Brooklyn isn’t exactly a hotbed of great golfers.”


“You know why they call it golf?”


“Because all the other four-letter words are taken.”


“Exactly.”


I suppose he thought telling me the oldest golf joke on earth was meant to show he was just a regular Joe, that we weren’t really that different, he and I, in spite of minor details like wealth, religion, breeding, schooling, and career. Did he have a career? I wondered what he had time for besides being rich.


“You should play more, you know,” he continued. “It’s a real thinking man’s game. Chess with sticks is how I view it. The uninitiated believe ball striking is the talent, but it’s the ability to manage the course, to think your way around it, that makes a good golfer.”


There was a message for me in there somewhere.


“No offense, Mr. Geary, but what’s this—”


“A young woman named Moira Heaton, the daughter of an ex-policeman like yourself, was working as an intern for a state senator. She left his office on Thanksgiving Eve 1981 and never made it home. She’s been missing ever since. Not a dissimilar story to that of your brother-in-law, Patrick.”


“Do you research all your wedding guests this thoroughly?”


He laughed, but not loudly enough to disturb anyone’s backswing. “No, Moe, not all my guests.”


“This is where I guess that the missing girl worked for Brightman and that you think I can help find her, right?”


“Actually, Moe, I was hoping you would have heard of this and saved me the trouble of the background details. Short of that, yes, I think you might be able to help.”


“Sorry, Mr. Geary, I really appreciate having been invited here and I have had a good time, but I—”


He shushed me politely. “Moe, a wise man listens before making up his mind, and all I’m asking is that you consider taking this on. If, when all is said and done, you choose not to get involved, then we’ll shake hands and part amicably.”


This guy was good. Never had the promise of a friendly handshake sounded so much like a threat.


“Let me think about it, okay?” I parried. “At the moment I’d like to head back to the reception and dance with my wife a little.”


“Absolutely. Pardon my taking you away from her. Convey my apologies, won’t you?”


“I will. Again, congratulations.”


When I got back to the reception, things had changed, and not for the better. Aaron was pacing a rut in the cart path outside the pro shop.


“Where the fuck have you been?”


“Getting a lecture on philosophy and the art of golf. Why?”


His lips turned down, anger changing to sadness. “It’s Katy.”


“What’s Katy? What happened?”


“After you left, I was dancing with Cindy.”


This was remarkable in itself. Aaron and my sister-in-law danced about as often as Siamese cats went scuba diving.


“Yeah, you were dancing and . . .”


“One of Constance’s cousins walked by our table carrying her newborn, and Katy asked if she could hold the baby.”


“Oh, for chrissakes! She was happy today. Where is she?”


Aaron shrugged. “Still in the bathroom with Cindy.”


Needless to say, my presence was less than welcomed in the ladies’ room. Anyone who could flee did so at the sound of my voice. Only the attendant, a wrinkled old black woman in pink polyester and a silly frilled hat, protested. I chucked a twenty in her tip basket and her squawking came to an abrupt end. I nodded for Cindy to wait outside.


“Just tell everyone the toilets are flooding.”


Guilty, wounded, Katy couldn’t look at me. She angled her legs and chin toward the stall wall, her chest heaving as she tried to suppress her tears. I knelt down in front of her and held her hand. Her face was a mask of trembling embarrassment.


“It’s okay, kiddo. You’ve gotta stop punishing yourself like this. You didn’t do anything wrong.”


A month, two months ago, these words would have been magic. Abracadabra! Presto chango! She would have stopped crying immediately, for I would have pushed her rage button. First she’d aimed her accusing finger at God, then at herself, then me. Initially, I hadn’t minded. I’d almost welcomed it in a martyrly fashion: if it helped Katy, I could take it. But eventually it left us both exhausted and bruised. No, the rage was gone, and in its place were only guilt and pain.


Our baby was dead. Had it been someone else’s, someone I’d read about in the paper, I suppose I could have retreated into the comfort of cold philosophy. I could have played the semantics game. Was it really a baby at five months? A fetus? What? At least we still had Sarah. At least we had been spared the trauma our friends Cisco and Sheila had been forced to endure. Their son had been stillborn. What’s worse, when Sheila’s labor was induced, they knew their son was dead. Of course I’d been philosophical about it, spouting the usual bullshit about how it was better this way. What way was that? Better for whom, exactly? We haven’t seen Cisco and Sheila for over a year now.


I realized I’d been punishing myself, the way Katy had punished herself, the way she punished me. In spite of my Jewishness, I know only the guilty deserve to be punished, and even then, not always. Given the randomness of things, it’s a miracle any of us get born at all. But that knowledge doesn’t stop my mother’s words from ringing in my ears: When things are good, watch out! In the world of her creation, we were always one breath short of disaster, one nightfall away from the sun’s refusal to shine. My mom lacked perspective. Now I had all the perspective I could stand.


“Life is hard for us all.” That’s what my friend Israel Roth says. “It’s not a contest of whose life is worse. When the Gettys are sad, their misery is as real as mine or yours. Money is a retreat, not a fortress. Maybe I understand your mother, may she rest in peace, a little bit different than you. Life changes a person. Maybe she would regret some of her ways, take some things back. But she’s gone and nothing can change the dead. Just say Kaddish and move on.”


Mr. Roth, unlike me, has earned the right to be philosophical about death. The Nazi tattoo on his forearm says so.


Still, things had been good. Katy’s design business was taking off. Sarah—the smartest, most beautiful child on earth—was being two with a vengeance, but that was as it should be. City on the Vine and Bordeaux in Brooklyn, the wine shops Aaron and I owned, were booming. I had my doubts about Reaganomics, but the money seemed to be trickling down at least as far as our cash registers. What did I know about economics anyway? I voted for Jimmy Carter. Twice!


So, like I said, things had been good, were good. I wasn’t even particularly itchy anymore. I’d worked my one case as a private investigator and gotten the notion out of my system. Besides, all I’d got for my trouble was bruised kidneys and a trunk full of other people’s secrets. Who needed the grief? I had enough of my own. So I put my license back in the sock drawer with the rest of my dreams. Even the dust bunnies thought my license was a bit of a farce, a frightened man’s conceit, a hedge against the ifs in life. Then we had the miscarriage. There are no hedges.


“Come on,” I said, tugging on Katy’s hand. “Let’s go home and see Sarah, okay?”


She smiled in spite of herself. Whatever other tragedies she’d suffered, whatever regrets Katy had, there was always Sarah to go home to. Sometimes that kid of ours could be an amazing source of strength for the both of us.


“Okay, Moe,” Katy relented, standing up and smoothing out her dress. “Just give me a minute.”


As I waited outside the door, I tried imagining the face of a woman I’d never met before or even heard of until fifteen minutes ago. I wondered if her father was thinking about her at that very moment, if he had hedged against the loss of his daughter. It was a day to think about fathers and daughters.


“Where have you got to, Moira Heaton?” I mumbled under my breath.


“Did you say something?” Katy asked, reappearing at my side.

"It’s not important.”
The dappled June light smelled of fresh-cut grass and possibility. Hope and potential were easy to believe in on a sunny wedding day in June. Just as we stepped out, Constance and Craig were getting into the limo that would take them to the airport. I hadn’t thought to ask where they were headed. On a day like this, they could go anywhere. But anywhere they went, they would not remain untouched for very long. That was always the test, I thought, not how good you were at avoiding the blows, but how you dealt with them after they landed.

-------------------------------------------------------------

Reed Farrel Coleman's The James Deans (trade paperback; $14) -- the Shamus / Anthony / Barry Award-winning third Moe Prager novel -- will be reprinted this week, with special bonus features not found in the Plume original!: New foreword by best-seller Michael Connelly; new afterword by Reed Coleman; two Moe Prager short stories ("Requiem for Jack" and "Requiem for Moe"); and excerpt from fall 2009 novel, Tower (written with Ken Bruen). Find copies at your favorite independent, chain, or online bookseller. See the list at the right for some indies that support and stock BFP!

Coming soon... Reed's "top-ten" list of most influential books, information on A. E. Maxwell's upcoming reprint, Just Another Day in Paradise, a guest blog entry from Edgar Award nominee Bill Crider, and more!