Showing posts with label A. E. Maxwell. Show all posts
Showing posts with label A. E. Maxwell. Show all posts

Saturday, July 10, 2010

Cover for A. E. Maxwell's summer 2011 book!

Busted Flush Press has been reprinting the Fiddler & Fiora crime novels by A. E. Maxwell, with the fourth, Just Enough Light to Kill, having come out a few months ago. We're now gearing up to do the next two in the series in 2011, starting with #5, The Art of Survival (978-1-935415-16-9; paperback; $14), in which Fiddler heads to Santa Fe & finds himself embroiled in a mystery surrounding the discovery of a new Georgia O'Keefe painting.

Here's a sneak peek at the new cover, designed by the outstanding Lisa Novak, who has worked on the previous four Fiddler reprints...

"The story is unnerving, mesmerizing and, when relief from fierce tensions is required, blessedly funny." -- Publishers Weekly

If you haven't yet discovered this wonderful private eye series, start with Just Another Day in Paradise. Perfect for fans of Robert B. Parker, Robert Crais, and John D. MacDonald!

Tuesday, June 8, 2010

New from BFP author Elizabeth Lowell (a.k.a. A. E. Maxwell)!

On sale today, the latest thriller from best-seller Elizabeth Lowell (who, with her husband Evan, wrote crime novels under the name "A. E. Maxwell") -- Death Echo (Morrow; $24.99).

New York Times best-selling author Elizabeth Lowell cuts a new edge in suspense with this thrilling tale of passion, danger, and international intrigue in which a pair of former operatives must stop a deadly plot that threatens a major American city—and ultimately the world.

When she joined St. Kilda's, the elite security consulting firm, Emma Cross thought she'd left behind the blood, the guilt, and the tribal wars that defined her life at the CIA. Yet, trading spying for investigating yacht thefts didn't alleviate the danger—or melt away her professional paranoia. Now, the same good instincts that got her into trouble at the agency might be what will help her survive her latest case.

With some arm-twisting, St. Kilda and Emma are tracking a yacht named Blackbird, a dead ringer for another ship that went missing somewhere between Vladivostok and Portland a year earlier. Emma knows the boat's intended cargo is lethal. What she needs to find out is whether it's biological, chemical, or fissionable. And she's only got seven days to uncover the truth . . . or a major American city will be lost.

Fortunately, she's working with a new partner as menacing and distrustful as the worst enemy she's ever faced—and as deadly. A honed killer, MacKenzie Durand led a special ops team that was deployed to some of the world's nastiest places. But five years ago everything went to hell in Afghanistan, when bad intel hung his team out to dry. The only survivor, Mac walked away and never looked back, preferring to make money sailing high-end boats like Blackbird.

But Emma and Mac aren't the only eyes watching Blackbird. Taras Demidov, an expert in extortion and execution in the pay of the oligarchs running the former Soviet Union, is also waiting in the shadows, determined to intercept a fearsomely powerful arms dealer with the money, weaponry, and connections to alter the geopolitical balance.

Thrown together by an organization of enemies with global ties more dangerous than either of them realize, Mac and Emma must put aside their growing attraction for each other to save more than just their own lives. In a deadly game where the rules change without warning and the line between friend and foe is blurred, the pair must find answers fast—or watch as innocent civilians are sacrificed in a cold-blooded grab for power and supremacy. And even Mac and Emma aren't sure just who will get to the finish line alive. . . .

Elizabeth Lowell is the author of many remarkable New York Times bestselling historical and contemporary novels. She lives in Washington with her husband with whom she wrote mystery novels as A. E. Maxwell.

And available from BFP:
Just Another Day in Paradise (by A. E. Maxwell; $13)
The Frog and the Scorpion (by A. E. Maxwell; $14)
Gatsby's Vineyard (by A. E. Maxwell; $14)
Just Enough Light to Kill (by A. E. Maxwell; $14)

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And out in stores later this week, the Busted Flush Press original novel, Killer Instinct (by Zoë Sharp; paperback original; $15)! Look for an excerpt here on the blog tomorrow.

Sunday, April 4, 2010

JUST ENOUGH LIGHT TO KILL excerpt

Just Enough Light to Kill (by A. E. Maxwell; 978-0-935415-02-2; trade paperback reprint; $14) On sale in about a week.

EVERYTHING STARTED COMING apart on Uncle Jake’s birthday, or what would have been his birthday if somebody hadn’t put two bullets through the back of his head with a .45-caliber Colt semiautomatic pistol. I don’t draw black borders around his birthday on the calendar or anything like that; Jake lived and died pretty much the way he wanted to. But I do remember the day and the dirt road south of Puerto Peñasco because I was there on that dusty road with Jake. Actually, I was only about half-there. The other half was already headed for what my poor Montana mother—Jake’s sister—used to call “a better place.” The guy who shot Jake shot me first. I guess I looked like more of a threat since I was bigger and wasn’t stoned. But if I was such a big threat, why didn’t he waste a second round on me, the way he did on Jake?

Hell of a question to ask yourself when you’re ass-deep in a hole the size of a grave.

I was half-done with the excavation for a new koi pond. The fish had grown too big for the old one. All eight of them had to swim in tight formation or their maneuverings looked like a watery version of Destruction Derby. Even when they managed the close-order drill, Lord Toranaga frayed his fins on the concrete. Every time I looked at him, I felt guilty. I should have been shoveling a lot sooner.

Digging the new pond had been put off all summer. The ground was too dry, too hard, I kept telling Fiora. No sense in using dynamite when the winter rains will do the job for you. When the rain finally came, it was too wet, of course, and I had to wait a week for the soil to dry out a bit. Then it would rain before I could start digging, so it was wait and dry out, and then the rain came again. You’d have thought I had Mother Nature on a retainer. All through December and January, the storms came through on a perfect seven-day cycle that kept my excuse fresh.

But finally, on Jake’s birthday, the game lost its savor. Fiora was too busy trying to take over a local investment bank to notice what I was or wasn’t digging. In fact, she was so busy she barely had time at dawn to remind me that my tux had been cleaned and pressed and would I please appear in it at 7 P.M. on Pacific Coast Highway in front of Savories Cafe. Then she kissed me in a half-assed, distracted way, patted my cheek and hopped out of bed before I could grab her.

When I woke again hours later, I was feeling surly as hell. I told myself it was a combination of Jake’s day and having to wear a tux tonight. A brisk run along the beach didn’t help to shake out my mental kinks. Neither did sitting on my butt. So I sharpened the spade, went up the little rise in back of the cottage and took out my frustrations on something inanimate.

An hour after I sliced out the first chunk of grass and clay, the raw wind off the water picked up, promising the arrival of another storm. The cold wind was what got me thinking about Jake and the border. The wind had been blowing that day, too. I had turned my shoulder against the stinging sand, only to realize an instant later that I’d made a mistake because I caught a glimpse of Refugio turning toward me with the .45 in his hand.

Oddly, I never heard the shot that hit me, although I did feel a hard blow on the back of my head. But I heard the two shots that were for Jake. In my mind I watched him move off slowly, disappearing into the bright light of the overhead sun, the wrong-century cowboy headed for the place he loved best, the shimmering, beckoning border between what has been and what will be. . . .

Jake always had loved crossing boundary lines. His favorite was the U.S.-Mexican border. I sometimes think he was a smuggler because he loved the border. It ran through his life like a black silk thread, stringing together all the bright possibilities from here to tomorrow. On this side of the border, everything is ordinary; on the other side is the Mexico of the soul—uncharted territory, blistering chili peppers and .45 slugs.

Why are they trying to kill us, Jake?

That was just one of the haunting questions that swirled around me like the cold February wind as I turned over spade after spade of dirt. I really should have remembered a few other things about the border when I switched to a round-edged shovel, looked up and saw the clouds scudding inland to pile up against the mountains like great white grave markers. I should have remembered, but I didn’t. I plead guilty to oversight. After all, I thought I was just digging an ordinary hole in the ground.

Actually, Kwame Nkrumah and I were digging the hole together. Kwame is the princely black and tan Rhodesian Ridgeback that lives next door. Technically, Kwame belongs to Dr. J. Samuel Johnson, a black dentist who has one of the most lucrative orthodontics practices in Newport Beach. But Kwame is convinced that Joe Sam doesn’t really understand or appreciate him. Kwame is right. Joe Sam hasn’t a clue about real watchdogs, because he is one of the nicest people I’ve ever met. He hasn’t a single enemy, despite the fact that he hurts people for a living.

I hurt people once in a while, too. It’s just as unavoidable in my line of work as it is in Joe Sam’s, only some of my patients try to hurt back. That’s why Kwame hangs around with me. I don’t shush him or tell him to go lie down when he starts making a spine-chilling noise deep in his chest and lifts the loose folds of his lips to reveal gleaming fangs. I also don’t mind when Kwame just pals around with me, getting underfoot, watching everything I do as though it mattered. Let’s face it: digging a grave-sized hole in a cold wind is a lonely way to pass the time.

As I dug, Kwame was in pal rather than guard dog mode. We were getting deeper into the little hill with each stroke of the shovel. About every third time I turned over a shovel load, Kwame would sniff, make a few passes with his toenails and watch intently. When nothing came out to play, he’d flop belly down on the fresh clay and wait for me to turn over something that wiggled. I’d look up from time to time to find him watching me with those clear, dark, calm eyes.

He had just finished his little ritual of scratch and flop when I became vaguely aware of a restless feeling. Kwame felt it, too. He got up, circled the bottom of the hole once and flopped back down. He was up again almost instantly. This time he went to the edge of the waist-deep hole and begged to be excused.

“Fine,” I grunted. “Go home to your warm bed.”

Kwame looked at me earnestly, then stretched up the side of the hole on his hind legs, and looked at me again.

The dirt was piled almost eye-high on that side, but he could have easily scrambled out any of the other sides, so I ignored him.

He whined very softly, deep in his throat.

Kwame’s not the type to complain. I bent over and boosted him out. He could have made the welterweight class, with a pound or two to spare. He didn’t pause to say thanks. He scrambled up the pile of dirt and stood stiff-legged. The hair on the back of his neck raised in a silent flag of warning. In case I had missed the message, he made the low, tectonic sound in his chest.

The hair on the back of my neck rose in reply. I slipped out of the hole in a single motion, but carefully stayed behind the pile of clay and stones that rose between me and whatever had lit Kwame’s fuse.

At first it looked like just another day in paradise. The fifty turn-of-the-century cottages that made up Crystal Cove were as ramshackle and unthreatening as they had ever been. The open pastureland beyond was as calm and bucolic as ever. The whole scene presented a picture of rustic serenity that would have been hard to beat.

Kwame wasn’t buying it. He growled again and held his ground, facing the highway. He was staring toward the turnout below an orange juice stand that had been built in 1931 and looked like it hadn’t been painted since.

Easing around slightly, I got a look at what interested Kwame. One hundred fifty yards away, a blue car sat broadside to me. The car’s nose was pointed down the coast toward Laguna.

There was something innocuous and nondescript about the car, as though it were a rental or part of somebody’s corporate fleet. Beyond the fact that the driver sat alone in the front seat, I was too far away to see anything useful. The guy was probably just a tourist who had pulled over to watch the steel-gray Pacific on a choppy, windy winter day.

Except that this particular tourist seemed to be looking back up the coast toward Crystal Cove rather than out toward the restless ocean.

Even after a soft word from me, the African prince wouldn’t budge. No longer growling, Kwame stood with his feet rooted in the clay, his neck ruff as spiked as a punker’s Mohawk. I’m not one of those guys who asks for expert advice and then ignores it, so I eased back down into the hole and rolled out the other side, right into the cover of a bottlebrush hedge. Keeping the hedge between me and the highway, I duck-walked down the rise toward the cottage.

By sliding under the side porch, I managed to keep out of sight of the turnout until I could round the corner of the cottage and get in through the side door with a minimum of fuss. Fiora keeps a pair of Nikon zoom binoculars near the picture window, the better to count the oil tankers passing on the far side of Catalina Island. I grabbed the glasses and headed for the back bedroom, which faced the highway.

The curtains are always closed back there. I didn’t want to disturb them; if the guy had been watching the house for any time at all, he would be waiting for just such a sign of life inside. That left only one way for me to get a clear view of the turnout. I went into the bathroom, lowered the toilet lid and stood on it to peer out through the narrow louvered window. The zoom lever on the binoculars was down at seven power. When I racked it up the scale, I almost fell backward into the sink. The increased magnification was so great I could damn near read the brand name on the hinge of the guy’s binoculars.

He was looking right at me.

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Named by Time magazine as one of the best suspense novels of the year!

“Plan on reading this one all the way through. You won’t be able to stop.”—United Press International

“A. E. Maxwell writes sophisticated, charming, and literate thrillers. I haven’t had this much fun since reading Nick and Nora Charles.”—Robert Ward, author of Total Immunity

“Fiddler is to California what Spenser is to Boston and Travis McGee is to Florida. Tough, smart guys who know that sometimes, what looks like paradise, is pure hell.”—Paul Levine, best-selling author of Solomon vs. Lord and Illegal

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Just Enough Light to Kill is the fourth novel in A. E. Maxwell's Fiddler & Fiora crime series, following Just Another Day in Paradise, The Frog and the Scorpion, and Gatsby's Vineyard.

Monday, March 29, 2010

JUST ENOUGH LIGHT TO KILL has arrived!

We've just received our copies of A. E. Maxwell's 4th Fiddler & Fiora crime novel, Just Enough Light to Kill (978-1-935415-02-2; paperback; $14), and it's pretty darn good-looking! One of the best in the series, this was also named one of Time magazine's best suspense novels of the year when it was first released back in 1988. Copies of Just Enough Light to Kill will start shipping out to stores at the end of this week, but if you can't wait, you can always order it (& the first three in the series) through Busted Flush Press (starting tomorrow or Wednesday)!

"Plan on reading this one all the way through. You won't be able to stop." -- United Press International (UPI)

Tomorrow, I'll post an excerpt from Just Enough Light to Kill, so please check back...

Sunday, March 7, 2010

BFP News (March 7)


Ken Bruen

On World Book Day, award-winning crime writer Ken Bruen (London Boulevard; The Devil) read to Galway children from his upcoming kids' book (to be published in 2011).

Bill Fitzhugh

Look for new BFP author Bill Fitzhugh (The Organ Grinders) at this weekend's Left Coast Crime mystery convention in Los Angeles; he's the Toastmaster. He'll share more information on The Exterminators, the upcoming, long-awaited sequel to his 1996 cult hit, Pest Control, that will launch at next year's Left Coast Crime in Santa Fe. Other BFP authors attending LCC 2010 include Steve Brewer (Damn Near Dead), Christa Faust (A Hell of a Woman), Gar Anthony Haywood (Damn Near Dead 2), Naomi Hirahara (A Hell of a Woman), Gary Phillips (Damn Near Dead 2), and Kat Richardson (Damn Near Dead 2).

A. E. Maxwell

The fourth Fiddler & Fiora thriller, Just Enough Light to Kill, is at the printers, and will start shipping to stores the first week of April. This thriller -- in which Fiddler heads to the California-Mexico border to investigate the murder of a Customs Agent friend -- is one the series' best, and Time magazine named it one of the year's best suspense novels back when it first came out! this is a private eye/thriller series not to be missed.

Zoë Sharp

More early praise for Zoë Sharp's Killer Instinct (on sale in May; also available in large print from Isis):

"Charlotte 'Charlie' Fox could give Cotton Malone a run for his money, but I think he'd enjoy every minute of it. Killer Instinct is spicy, smart, and entertaining. Zoë Sharp has a gift for place and character, making it seem as familiar as your own backyard. She draws out every emotion in the reader with some stylish prose. Well done." -- Steve Berry, best-selling author of The Paris Vendetta

"Charlie Fox is tough, compassionate, and kicks ass to protect others -- how could anyone not love her? Zoë Sharp is a master at writing thoughtful action thrillers, and Killer Instinct is no exception. Read it!" -- Meg Gardiner, Edgar Award-winning author of The Liar's Lullaby

Tuesday, March 2, 2010

More Maxwells & Handlers!

David Handler and A. E. Maxwell fans, you'll be happy to know that Busted Flush is reprinting more of their mysteries, beginning spring 2011!

David Handler
After having reprinted the first four Stewart Hoag novels in two omnibus volumes (The Man Who Died Laughing/The Man Who Lived by Night; The Man Who Would Be F. Scott Fitzgerald/The Woman Who Fell from Grace), BFP, at long last, is continuing with more of this witty, erudite series. The Boy Who Never Grew Up (#5) will be published in spring 2011, and The Man Who Canceled Himself (#6) will follow in the fall.

A. E. Maxwell
BFP has released four Fiddler & Fiora private eye novels, with the fourth, Just Enough Light to Kill, due out last month, but running a little behind (it should be back from the printers soon). The Art of Survival (#5) will come out next spring, and Money Burns (#6) in the fall.

Though neither author is currently continuing these series (at the moment), I can't stress enough that if you haven't yet discovered these books, please track down the first ones posthaste. Reprinting Handler's and Maxwell's mysteries are two of the main reasons I created Busted Flush Press, and I'm just sorry it's taken me this long to get back to 'em.

Saturday, January 23, 2010

BFP's 2010 schedule!

Here are the books coming out from Busted Flush Press in 2010. Enjoy!

February
Just Enough Light to Kill (by A. E. Maxwell)
Paperback, $14, 978-1-935415-02-2

March
Misleading Ladies (by Cynthia Smith)
Paperback, $13, 978-1-935415-04-6

May
Killer Instinct (by Zoë Sharp)
With a new foreword by Lee Child.
Paperback original (first U.S. publication), $15, 978-1-935415-13-8

June
Old Dogs (by Donna Moore)
Paperback original (first U.S. publication), $15, 978-1-935415-24-4

July
Riot Act (by Zoë Sharp)
Paperback original (first U.S. publication), $15, 978-1-935415-15-2

September
Soul Patch (by Reed Farrel Coleman)
With a new foreword by Craig Johnson.
Paperback, $15, 978-1-935415-09-1

Hard Knocks (by Zoë Sharp)
Paperback original (first U.S. publication), $15, 978-1-935415-10-7

Tomato Red (by Daniel Woodrell)
With a new foreword by Megan Abbott.
Paperback, $15, 978-1-935415-06-0

October
Dark End of the Street (by Ace Atkins)
Paperback, $15, 978-1-935415-17-6

Empty Ever After (by Reed Farrel Coleman)
With a new foreword by S. J. Rozan.
Paperback, $15, 978-1-935415-19-0

November
Damn Near Dead 2: Live Noir or Die Trying (edited by Bill Crider)
With an introduction by Charlaine Harris.
Paperback original, $18, 978-1-935415-40-4

A Cool Breeze on the Underground (by Don Winslow)
Paperback, $15, 978-1-935415-21-3

And coming in early 2011:
Silver and Guilt (by Cynthia Smith)
Road Kill (by Zoë Sharp)
The Death of Sweet Mister (by Daniel Woodrell; with a new foreword by Dennis Lehane)
Bloody Kin (by Margaret Maron)

Tuesday, November 3, 2009

GATSBY'S VINEYARD excerpt


Gatsby's Vineyard, by A. E. Maxwell (978-1-935415-01-5; trade paperback reprint; $14) On sale in two weeks!

Chapter One

JAY GATSBY WOULD have loved the Napa Valley—until someone found him face down between the vines. And they would have found him that way, make no mistake about it. There’s more than wine, prestige and carefully nurtured romance in Napa. There’s money. Real money. The kind people kill and die for.

Socially, Gatsby might have had an easier time in Napa than in East Egg. The vintage of the money in Napa is a lot less important than the vintage of the wines that are stored and poured there.

Some of the money in Napa is old, even older and more deeply rooted than the arm-thick vines in the vineyards that survived Prohibition. But much of Napa has been built in the last decade with money from semiconductors or sinsemilla or silver scams. As a result, there’s a kind of rough-and-tumble economic democracy on Napa’s flat and fertile floor. Growing grapes isn’t a club tournament limited to members only. All you need to become part of Napa’s economy is the admission fee. Joining the crowd of vintners is like signing on for a pro-am golf tournament in Pebble Beach or Palm Desert. Just ante up and play with the stars.

There is one condition, however: the money has to be real. None of this dollar-down-and-bet-on-the-come bullshit that works in the rest of California. Inherit your fortune, earn it, politely steal it or find yourself a wealthy silent partner. Whichever. Just make sure that your assets are as liquid as your Cabernet Sauvignon.

There’s a very good reason for that kind of fiscal snobbery. You have to have money in order to lose it—and that’s just what will happen. You’ll lose money. A whole lot of it. When you strip grape growing and wine making of its romance, the process is called farming, and there are a thousand ways to go broke farming. Ask anybody who has ever tried to turn a profit with a pitchfork and a hoe.

Oh, sure, there’s money to be made in the rich creases and on the flats between Spring Mountain and the Cedar Roughs, between the salt marshes of San Pablo Bay and the black rocks at the top of Mount St. Helena. Napa Valley grows wondrous grapes which become magnificent wines which fetch premium prices all over the world. A smart, trendy, innovative vintner can make a fortune in good years, break even in middling ones and hold losses below the threshold of bankruptcy in those years when the frosts come late in the spring and the rains come early in the fall, and when the mites and the leaf roll and the systemic viruses cripple the vines.

But all told, your odds of making a killing are probably a lot better in Las Vegas. Ask Coca-Cola or Nestlé or Seagram’s or any of the other capital-rich conglomerates that fueled the vineyard boom of the middle 1970s. They poured cash into Napa as though it were a slot machine, and they kept on pulling the green handle. But they couldn’t even turn up a double cherry. The guy who runs the casino had reset the drops while no one was looking. The payoffs were irregular, the return on investment minimal, the bottom line dismal.

One by one the conglomerates backed out of Napa Valley, leaving behind the only folks who could still afford to play the game: the old-time farmers who owned their land in fee simple, and the very wealthy boutique winery folks for whom the romance of the wine country was as bewitching as the sound of Daisy’s voice was for Gatsby.

I can sympathize with Gatsby. I’ve been poor and I’ve been rich, and rich is indeed better. But as a group the recently arrived always have been and always will be the butt of well-bred disdain . . . and more dangerous forms of aggression as well. I know something about what the nouveaux riches are up against. My late and lamentable Uncle Jake, the last of the hippie outlaws, left me a steamer trunk full of untraceable currency that my ex-wife, Fiora, turned into a fortune. Granted, my asset sheet wouldn’t intimidate J. P. Morgan or J. D. Rockefeller, but it gives me a freedom that is sometimes hard to describe.

You have heard, perhaps, of “fuck-you money”?

However much I enjoy the aspirations and excesses of the newly rich, my favorite folks in the Napa Valley are the old-timers, the farmers who are not necessarily rich but who have been there since before the boom, the people who rooted themselves and their vines in the land thirty or forty years ago, when the valley started to crawl out from under Prohibition.

Actually, some of these families go back more than a century. Barley farmers and dairymen and European grape growers gravitated to the valley not long after the gold rush. They were drawn not only by the soil but by the light and the clean air.

Unlike Iowa or Kansas, where farmland has the utilitarian aesthetics of a John Deere tractor, Napa has an enormous, fecund beauty. The hills are sexy, like black eyelet lace smoothed over tanned skin. There is a sensual fullness to the country that is palpable. The feeling comes from the contrasts of cool and heat, damp and dry, and from the visual impact of heavy, bushy vine heads along straight trellises in row on row of field on field of grapes. Even in the spring, when the vines are just past bud-break and the grapes are more potential than actual, there is a feeling of immense growth and fertility.

The nights are still crisp in the early summertime, when the gray evening fog spills over the crest of Spring and Diamond mountains along the west edge of the valley. Yet those same June days are warm and getting warmer; the sun is back and, like a young stud horse, just beginning to focus blinding, instinctive heat on the requirements of procreation. By July the days will bake. The south- and west-facing hills and canyons will become chimneys drawing up valley heat and pouring it over the small vineyards in the side canyons. All day long the vines will soak up sunlight, changing it into the complex sugars and tannins and acids that eventually will become fine wine.

The contrasts between the mountain and the valley vineyards are part of what has always fascinated me about Napa. The valley vines have an easy time of it, comparatively. Granted, the soil is rocky rather than Iowa-loamy. Each vineyard has its walls of red and brown and gray boulders, from hand-sized to head-sized, some grubbed from the ground by Chinese coolies a hundred years ago and some stacked last winter by Mexican field hands.

Up toward Calistoga, just off the Silverado Trail, I once ran across a rock pile that was ten feet high, a hundred feet wide and three quarters of a mile long. Every stone on it had been dragged from the soil by a pair of hands, tossed on a stoneboat and skidded to the pile. The huge rock pile was the proceeds of a few large vineyards, maybe a hundred and fifty acres. There are more than thirty thousand acres of vineyards on Napa’s flat valley floor. Each of them had to be developed the same way. One stone at a time. That tells you a little bit about what farmers are up against on the flats.

But the mountains are even rougher. The mountains test a vintner’s dreams, his wallet and his nerve.

Diamond Mountain was the first sizable mountain vineyard to be opened up in the recent boom. That was maybe ten years ago. A grape entrepreneur named William Hill took a real flier, brought in a couple of D-8 Caterpillar tractors and put them to work scraping the brush off one hundred and fifty acres of natural amphitheater on the shoulder of Diamond Mountain. The slopes were chillingly steep. The D-8s turned turtle a half dozen times, rolling over on their backs and waiting helplessly to be rescued. Nobody was killed, but it wasn’t for lack of trying.

Then Hill brought in smaller, more agile Cats and cut stair-step terraces, gambling that the remaining soil was deep enough and special enough to justify development costs of ten thousand dollars an acre. St. George’s rootstock went in first. That took two years to establish itself. Then the scion vines were grafted on—Cabernet Sauvignon, mostly.

The yield was low, maybe half of what the normally stingy Cabernet vines would produce on the flats. But what grapes those mountain vines grew. Good flatland Cabernets might return four to six hundred dollars a ton. The stressed vines of the Diamond Mountain Vineyard produced half as many grapes but the fruit was extraordinary, world class. Sterling Vineyards, the big Seagram’s subsidiary down the road, was paying upward of two thousand dollars a ton when they finally got smart and bought Hill out.

There’s a little one-lane dirt road that runs straight up Kortum Canyon from the edge of downtown Calistoga, such as downtown Calistoga is. The road, once the stage route over the mountain to Santa Rosa, cuts along one edge of the Diamond Mountain Vineyard. Just before the road drops over the ridge into the next valley, there’s a spot where you can park and look down across the pepperwood and madrona and manzanita. In the foreground the vineyard is simmering in its natural punch-bowl microclimate, soaking up the hard summer sunlight. Beyond is the rest of the Napa Valley, all the way down toward Stag’s Leap and a dozen other of the most special wineries in the United States. The view is so grand that you hate to tell the rest of the world about it.

That’s the spot where Sandra Autry and I would go, back when we were seeing one another. Sometimes in the early evening, when the worst of the heat was over, we used to drive up there and park and admire the view and neck and get as hot and sweaty and passionate as a couple of teenagers.

After about an hour of that we’d both be lucky to get down the hill. Sometimes we didn’t. Get down the hill, I mean. But other times we’d check into the little hotel on Lake Street. The place wasn’t very genteel but it had its own rural California charm. With the windows wide open to catch the first evening breeze up from the bay, we’d sweat and love and drink cold white wine and have a hell of a good time.

Then we’d shower and go eat in the Mexican restaurant down the street, the one that was using mesquite charcoal a dozen years before the gringo importers discovered it. Broiled pollo and carne asada, carnitas and fresh corn tortillas. Mexican field hands tend to be beer drinkers, but as a nod to the lifeblood of the valley, the restaurant had a wine list of sorts. It extended from blanco through rosé to tinto. All of the wines, even the tinto, were kept in the cooler.

Sometimes Sandra would cook, which is what she had done every day since she was eleven and first discovered that canned tomatoes tasted better if you added something—almost anything—from the cupboard. Sandra was a natural cook. It came to her as easily as the violin had once come to me; but, unlike me, she learned early to value her gift from the gods. She didn’t throw her talent away because it never came up to her expectations, the way I had. She just worked like hell to develop her gift.

And gift it was. She understood instinctively, almost intuitively, how foods and wines and herbs and spices work together, in the same way that I had once understood the immense possibilities of music. She dreamed of tastes in the same way that I dreamed of sounds.

There wasn’t a pretentious bone in Sandra’s lovely body. She seldom talked about what she was doing, what spices she used, what elements of Pinot Noir made it particularly suited to her veal dishes or her cheeses. But her sensory acuity was remarkable and her sensory memory was perfect. On a summer night in Calistoga, one of her three-egg omelets with herbs and a tomato vinaigrette was better than most four-star meals. She could look at a raw egg and know whether to use more or less basil, one or two grinds of pepper, a three-dollar Chablis or a twelve-dollar Grey Riesling.

I have eaten grand meals and known some world-class chefs, but Sandra was both the best at what she did and the least willing to dress it all with fancy words. So far as I’m concerned, that’s the only reason she is less famous now than, say, Alice Waters, the trendy queen of Bay Area eating. Sandra could cook as well as anyone, but she didn’t talk as well and her politics and aesthetics weren’t as avant. So Sandra remained a quiet treasure.

Maybe it’s simply that Sandra was too busy living and eating and loving and tasting to be bothered with the talking of it.

Sandra kind of put me together, I guess, after Fiora and I broke up the first time. Sandra was a wine-country girl. Her parents owned one of the most famous vineyards in the Napa Valley, a hundred and forty acres of fertile ground called Deep Purple. The Autrys were down-to-earth folks, in the original sense of the word, and that may have been where Sandra learned her natural reserve. She lacked the outgoing charm, the sense of showmanship, that professional cooks and hostesses often have. But her extraordinary talent had already taken her a long way when I met her at a fancy wine-tasting party in San Francisco three months after Fiora first moved out on me and went back to Harvard.

Sandra was tall and almost willowy. Almost, I said. She had a figure that most women would have killed for, but lots of men never noticed because she tended to dress in an understated way. She was not given to showing herself off, but she made quite an impression on me the first time I ever saw her.

The party was crowded, with people sliding this way and that to get through, and I was standing in the middle, watching it all with the detachment of the unattached. When I first saw Sandra making her way through the crowd, she was trying hard not to spill the tall glasses of champagne she was carrying in each hand. Most everybody else was having a good time impressing whoever they were talking to. I guess I had been a long time without a stirring, because I found myself watching Sandra—Venuslike with arms raised, seeming by her attitude to invite inspection—as though I had never seen a woman’s body.

She had come about halfway across the room before I realized that I was staring. Then I realized that she realized I was staring. Then I realized that she didn’t mind me staring, even if I wasn’t looking at her eyes. I think I got a little flustered, turned a little red. But Sandra just kept coming toward me, smiling, calm and sexy as all hell.

It felt so good to want a woman again that I got over my embarrassment and just kept watching, albeit a bit less like a chained wolf watching a lamb gambol closer. Sandra drew abreast of me, quite literally, and then slid past without saying a word, a faint smile of pleasure or pride parting her lips. Three steps beyond me, she turned and looked back over her shoulder.

“You like them?” she asked.

“Yes,” I said simply, because it was way too late to think up a polite lie.

Still smiling, she turned away and glided into the crowd.

Two hours later she was introduced to me as Sandra Autry. That’s where I got lucky again, since it took me less than two minutes to remember that S. Autry was listed on the menu as the master chef for the evening. This was back in the relative Dark Ages, when a woman who wanted her cooking to be taken seriously might hide her gender behind a single initial. Sandra seemed genuinely pleased when I put that little puzzle together, and she allowed me—maybe even encouraged me—to hang around while she oversaw the cleanup. Then she took me home, all the way out to a Victorian at the north edge of Golden Gate Park.

Neither of us mentioned my previous lechery until sometime just before dawn, after she had given me a hickey on my neck. It was a reward, she said, for not being afraid to leer in public.

“If I ever get to feeling drab and little brown henlike,” she said, laughing deep in her throat, “all I’ll have to do is bring back the memory of the look on your face. Every woman needs that once in a while. When I got close and saw those gray eyes and that slow, sexy smile, I knew that if I never had another man I had to have you tonight.”

That was Sandra’s gentle way of defining our relationship from the very start. We never lived together, and often were not lovers when we did get together. She was independent in a deep and abiding way. There was too much of life she wanted to experience; she had too many things to do to allow herself to be tied to one man.

And I had too many ties and too many directions to go to be bound inextricably to her.

Yet we were very close when we were together. I told Sandra about my failed marriage, and she explained Fiora to me, without ever having met her, because they were quite alike. There is an independence in some modern women that ought not to be trifled with. This wine-country woman helped me to get over Fiora by eventually sending me back to her. Maybe Sandra and I never stuck permanently together because Fiora and I had already done so. But Sandra and I got pretty sticky, some of those hot nights in the little hotel in Calistoga.

Now I was headed north out through the Tejon Pass, leaving the smog of Los Angeles behind, with Fiora sitting beside me in the car, headed toward Napa’s generous, fertile harvest because I had heard that Sandra was in danger of losing everything she had ever owned.

What I didn’t know then, what I didn’t discover until much later, too late, was that the trouble was bigger than Sandra, bigger than the hundred and forty acres of magnificent grape land called Deep Purple. The trouble was as complex as a good Chardonnay, as hidden as the roots of the silent vines, and as deadly as steel sliding between living ribs.

Yes, Gatsby would have loved the Napa Valley, but he wouldn’t have survived it.

I nearly didn’t.

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“Maxwell manages a slam-bang climax . . . and the California wine business background is unusual and entertaining.”—Publishers Weekly

“Evokes with grace, elegance and love the colors, smells and sounds of Napa Valley wine-making.”—Vanity Fair

“By far [Maxwell’s] best, a California thriller with very real characters and dialogue and a violent, unexpected ending you won’t soon forget.”—Palo Alto Times Tribune

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Gatsby's Vineyard will be published this month, November 2009. Find copies at your favorite independent, chain, or online bookseller. See the list at the right for some of the indies that support & stock BFP titles. Booksellers/librarians: Gatsby's Vineyard is available through Consortium, Ingram & Baker & Taylor.

A. E. Maxwell is the pseudonym of husband-and-wife writing team Ann & Evan Maxwell. Ann is now best known as New York Times best-seller "Elizabeth Lowell." Visit their website here.

Tuesday, July 21, 2009

THE FROG AND THE SCORPION excerpt

The Frog and the Scorpion, by A. E. Maxwell
(978-1-935415-00-8; paperback; $14) Now available!

Chapter One

IT WAS THE bomb that really ticked me off. That was the sound it made, too. Tick, tick, tick, just like it had been hoked up on a George Lucas special-effects assembly line. I remember looking at the bomb, recognizing what it was, and wondering whether the Timex sitting on top of those three sticks of dynamite was shock-resistant.

But the story really began well before that, back in 1978, when the Ayatollah left Paris and flew back to Teheran in triumph. Or maybe it was in 1948, when the Brits left the Arabs and the Jews to fight it out in what was at that moment Palestine and soon became the bloody Middle East.

Oh hell, it was probably two hundred or six hundred years ago. Or a thousand or two hundred thousand, or a million, before men were men, back when they were renegade apes. Or maybe it all began with hummingbirds.

I say this because I remember sitting on the deck in my backyard, face turned up to the sensuous July sunlight, when the first phone call came in. I was watching the hummingbirds at play around the hummingbird feeder Fiora had given me for my birthday just before she took off for five weeks at Harvard, a midsummer seminar on leverage deals and silver bullion futures trading. Rigor mortis set into my soul at the thought of sitting through a few learned lectures on how to screw thy neighbor while preserving every legal nicety. Fiora didn’t see finances that way. The thought of money manipulations brought a light to her eyes that could only be equaled by the prospect of a prolonged romp in bed.

Unfortunately, a romp was not why she had dropped in on me that morning. When I reached for her, she kissed me just enough to get my full attention, smiled beautifully and handed me a package.

“I wouldn’t want you to be bored while I’m away,” she said, “so I brought along some world-class warfare for you to watch.”

My relationship with this honey-haired, hazel-green-eyed woman is a complicated one. We are still married in a lot of ways, although we try to keep the natural friction of two strong wills and two different natures at manageable levels by the polite paper pretense of divorce. Life isn’t that easy, of course. Society can make a union legal or illegal, but it can’t do a damn thing about unruly hearts. Fiora and I still care for one another in extraordinary and sometimes painful ways.

Fiora knows that one of the biggest problems in my life is boredom. She even feels a bit responsible. After all, she’s the one who took the steamer trunk full of currency that my uncle Jake left me and turned it into a small fortune with some shrewd manipulations of the sort taught at Harvard during the summer doldrums. So when Fiora takes off on business junkets, as she regularly does, she tries to leave me with something amusing.

That afternoon I took the package from her and began pulling off bright ribbons when I sensed her watching my hands. The scars don’t show too much anymore; only small, vaguely shiny little circles remain to mark the places where nails from the Oxy-Con packing crate slammed through flesh and bone. But the hole left in Fiora’s life was considerably larger and didn’t show at all on the outside. We rarely talk about her twin brother’s death and our own encounter with his murderer. The memories are there, though; they show in Fiora’s eyes when she watches my hands; they show in the sad gentleness with which she touches the scars, giving me silent apologies that I never asked for and certainly don’t deserve.

Fiora brushed the corner of my mustache and traced my mouth with an elegant, smooth fingertip. “This present is to keep you out of trouble while I’m gone,” she said in a husky voice.

“I’m perfectly capable of amusing myself,” I said, deliberately misunderstanding her. I ripped the gift paper with more force than necessary.

“That’s what I am trying to prevent,” she retorted.

“Then this had better be a hell of a lot sexier than the square box suggests,” I muttered.

Fiora slid a nail into the crease between my lips and I opened my teeth to catch it. Like I say, we have a very complicated relationship with a pretty simple core.

“Sex is a part of this,” she said, tapping the package. “But it has a lot of other things you like, too. Power and competition, courage and cowardice. All the bloody absolutes that fascinate you.”

With that introduction I was not expecting a bird feeder. I gave her a look that had become familiar after years of marriage and separation.

“Love,” she whispered, bending over, ruffling my hair and nerve endings, “have I ever misled you?”

There was an obvious answer to that, but pinpointing the specifics was as elusive a task as identifying the fragrance Fiora wore.

“On second thought,” she said, “don’t answer. It’s such a beautiful day.”

As she reached for the cardboard carton, she gave me that special smile, the one that crushes hearts—or makes them whole. She was right. It was a beautiful day. I smiled in return, admiring the way her hair and body shimmered beneath sunlight and pale green silk. I saw her hesitate and knew that she was thinking about chucking the bird feeder in the koi pond and dragging me off to bed. Then she sighed and began prying at the stubborn package.

“No?” I asked softly.

“No,” she said, regret clear in her tone.

I watched her slender fingers moving over pictures of soft little hummingbirds and reminded myself that where Fiora was concerned, patience was the only virtue that mattered. She had an unusual amount of trouble opening that box but I didn’t offer to help. If I touched her again right away, it would take more than a lovely smile to make me let her go.

Finally a brash red-and-yellow plastic feeder emerged from the shambles Fiora made of the innocent cardboard box. The more I looked at the feeder the uglier it got. I tried to hide my reaction to her present. I shouldn’t have bothered. That woman can read me like a ledger sheet. She shot me an amused glance and turned the feeder in a complete circle for my greater aesthetic appreciation.

“Yeah, I know,” she said. “These things look like whore’s Christmas, but they’re more fun than a seat on the Grain Exchange.”

With what I hoped was a polite expression of disbelief I eyed the contraption dangling from her hand. There was a clear glass bottle that ended in four red plastic bugles which I assume were intended to look like big flowers whose unlikely centers were a chrome-yellow mesh. I have a feeling, now that I know a bit more about it, that the flower likeness is for the humans rather than the hummingbirds. Hummers have very little of what I would call an aesthetic sense, but their olfactory equipment more than compensates. They could scope out a drop of nectar in a parking lot the size of Kansas. They sure as hell don’t need phony stamens and pistils to point the way.

Fiora reached into her Gucci bag and produced a pint bottle full of a transparent scarlet fluid. “You can make this stuff yourself,” she said. “Don’t bother to buy the prepared nectar. They price it like it’s something special, but it’s just sugar and water and a little food coloring.”

Her motto is: Watch the pennies and the dollars take care of themselves. A true Scot. I, on the other hand, am a true son of Uncle Jake, who loved adrenaline more than he loved dollars but spent both with equal abandon.

“Fiora, I don’t like to seem ungrateful,” I said, trying to be tactful, “but you’re in the wrong place. This may be California’s Gold Coast, but I’ve never seen a hummingbird in my yard. Maybe the salt air doesn’t agree with them.” I added, waving toward the endless sapphire ocean that was my backyard. “Or maybe the rent’s too high.”

“That’s what I thought about Beverly Hills,” she said. “C’mon. I’ll show you where to put the feeder.”

She filled the feeder and hung it on a nail sticking out of an overhead beam in the middle of the patio deck. Then we sat in the brilliant afternoon sunlight, drinking a bottle of crisp Fumé Blanc from Rutherford and watching the world’s ugliest imitation flower.

After fifteen minutes I said, “Better than most television, I have to agree.”

Fiora lifted one honey eyebrow at me. “Patience, Fiddler.”

So we watched the damn thing for a while.

I was about to suggest that we adjourn to the bedroom for our second glass of wine when I heard a low, thrumming roar about three feet from my ear. My head snapped around. For an instant I saw something hanging in midair, staring at the unlikely flower dangling from the nail over the deck. The “something” appeared to be a cross between a redheaded bumblebee and a green Gambel’s quail.

So help me God, at first glance that’s what the hummingbird looked like. And a glance was all I got. The sudden movement of my head startled him and he darted off so quickly I wasn’t even sure I had seen him in the first place.

“Don’t worry,” Fiora smiled. “He’ll be back.”

Fifteen seconds later the hummingbird reappeared as though he had teleported into position six inches from the feeder. This time I clamped down on my reflexes and watched without so much as moving an eyelash. The hummer wasn’t much bigger than my thumb. His tiny wings beat so rapidly that they were nearly invisible. He was shiny and soft and cute—a tiny Disney character—until I noticed that he was equipped with a beak that looked as long as a darning needle and about as sharp.

As I watched, he hovered, inspecting the garish feeder. Then he snapped forward like he was on an invisible rubber band and thrust his sharp bill into the heart of one of the plastic flowers. After a moment he withdrew, then thrust again. A little bubble boiled up through the red fluid, indicating the bird’s success at solving the minor mystery of the feeder.

“No hummers around, huh?” said Fiora, licking a bit of the wine with a quick pink tongue. “If you get one this fast, you’re going to have a swarm before long.”

She was on a plane for Boston when her prophecy came true. I had dropped her off at LAX, kissed her until I had her full attention and reminded her that I cared a great deal for her. By the time I got back to the house on Crystal Cove, between Newport Beach and Laguna, it was evening. I tucked the Cobra into the garage and walked along the deck to the back door. Before I reached the back patio I heard a harsh, metallic squirring and caught sight of a pair of hummers circling and darting and slashing around the feeder. I stopped and stared, fascinated by the most dazzling and bloodthirsty aerial display I’d seen since the Harriers and the Pucaras traded insults over the Falklands on the CBS news.

Like most modern battles, this one lasted for about fifteen seconds. There was a king on the ocean bluff—I assumed he was the original discoverer of the world’s ugliest flower—and a pretender to the plastic throne. The two hummers flew directly at one another, stopped to hover in midair a few inches apart, darted sideways a foot and hovered again. Then the franchise holder thrust with the speed and grace of an Olympic duelist. The interloper fled. His dominance successfully enforced, the king darted off to perch in my lemon tree.

Five seconds later the interloper reappeared, facing the intrepid defender and challenging him with a sound like a fingernail on a blackboard. They darted side to side, then clashed and locked, hanging in midair for a moment before falling with a soft thump onto the redwood deck. They lay there almost at my feet, oblivious to anything but each other and their war.

In an odd way the battle was all the more vicious for the badminton heft of the combatants. You expect lions or eagles to go at one another talon and claw, but hummingbirds? They’re so small. How can those little bodies hold so much courage and hatred?

There was no answer and the birds knew it. They untangled beaks and claws and scrambled back into the air. One hummer fled and the other zipped off to the lemon tree, which was about ten feet from the feeder. With the bad sportsmanship I have come to associate with hummers, the winner jeered metallically at his vanquished opponent and then sat preening his minute feathers with his warrior’s beak. I walked onto the deck. That silly bird screed at me, warning me off the ugly flower.

“You must have heard about David and Goliath,” I said politely. “You know, the boy with more guts than brains.”

The hummer sat and cursed me nonstop.

“Right, Davy. I can take a hint.”

Five minutes after I went inside I heard another battle, and it went on that way for the rest of the summer. As long as I kept the feeder primed there were about a dozen fierce hummers doing battle for their positions around the ever-blooming flower. Hummers are hyperkinetic. They can go through several times their own weight in food every day, so a constant source of energy was worth fighting for.

And fight they did.

At first it was entertaining to watch them. Their patterns of behavior were so erratic and yet so predictable. The head son of a bitch was King David, a little greenish guy with a ruby throat that extended almost to his eyes. He spent hours on guard, driving away any and all comers. Maybe once an hour he would let a small, soft-gray-green female drink but he would terrify any male who appeared.

And then, for reasons I still have not been able to explain, at the close of day the flower warden would declare a twilight amnesty. For a few minutes it would be free-for-all, with four or five hummers at a time lined up to refuel under the head hummer’s baleful screeing. King David would squirr and curse up a storm, but he wouldn’t defend the flower. After a seemly amount of time, he would take to the air again and clear the skies, a miniature Von Richthoven in a blood-red scarf.

For a while I thought that it was nice of King David to share the wealth of the bottomless flower. But then I found myself wondering whether he let the others drink simply to keep them from losing heart and flying off to other flower kingdoms where they might have a chance of becoming the head hummer. That kind of perverse generosity isn’t a comforting or comfortable thought, I suppose, but then life isn’t always comforting or comfortable.

I had reason to reflect on such matters over the next few weeks. And these reflections began and ended with the hummingbirds, the phone call I got from Shahpour on a bright July morning, and the bomb that had started ticking long, long before.

The sharp-beaked warriors were in full flight when the phone rang, the sunlight was molten gold on the back deck, and the Pacific was a blue so bright it burned. I had finished the newspaper and was glancing about for something to do to amuse myself. That’s the price you pay for not having to work for a living, for being what Fiora calls “independently well-heeled.” Ultimately, you have to invent your own way of proving self-worth and social value.

Well, self-worth, anyway. Social value is a matter of organized opinion, like the number of angels that can do unseemly acts on the head of a pin, or whether the United States is the Great Satan and Khomeini is the Third Coming. Some people go to the office every day to reinforce their sense of self-worth. Me, I fiddle around in other people’s business, lending a hand where I can and deviling the comfortable in behalf of the uncomfortable. But I had no special projects at that moment, so I was in precisely the proper frame of mind when the phone rang and a secretary on the other end asked me to hold for Shahpour Zahedi.

Shahpour was a shrewd, handsome Middle Easterner who owned controlling interest in a little bank down the Gold Coast from me. I knew he was Iranian, and that his father had been finance minister under the late, lamented and lamentable Shah, but I tried not to hold that against Shahpour. I figured the sins of the sons are bad enough without stacking on holdovers from the previous generation.

Fiora and Shahpour met a few years ago when they collaborated on financing a small business park near Los Angeles International Airport. Since he knew Fiora was playing the game with my money, I was included in the obligatory business lunches. That was the first test and Shahpour passed it with all flags flying. You see, besides having a tangled personal life, Fiora and I present some unusual challenges to modern business sensibilities. When it comes to money, she is the heavy. I’m not a fiscal dummy, but I have sense enough to recognize genius and to give it—or rather her—the power of attorney.

Cops, Latinos and Middle Eastern types are baffled by the power structure of my relationship with Fiora. They have a hell of a time figuring out just who does what and with which and to whom. There is usually a fair amount of thrashing around and some minor bloodshed at Spago or Jimmy’s where the high-powered male executive we’re lunching condescends to Fiora and flatters me. Then he gets totally confused trying to figure out why she is feeding him his lunch and I’m sitting there smiling at my beautiful mate and applauding every slice and slash.

Middle Easterners can be overweening, particularly in their disdain for women. But Shahpour was different from the outset. For one thing, he talked to both of us as intelligent adults; I don’t think Fiora had to zing him once to get his attention. Shahpour had been educated in the West—Paris and the Wharton School of Finance—and he carried in those dark eyes a shrewd self-assurance that both accepted the intricacies of American culture and acknowledged importance wherever it was found. Fiora was one of those important intricacies. I was another. Shahpour enjoyed us both.

“Fiddler, how are you?” he asked as he picked up the receiver.

There was not a trace of accent, neither French nor Farsi. His voice was like his mind, endlessly flexible and enormously quick. The tone was different from what I had remembered, though. There was an edge to it that was more than worry and less than fear.

“I’m fine, Shahpour. How are things in the banking business?”

“I’m afraid my family picked the wrong time to get into the American market,” he said. “We bought our shares at the Gold Coast Bank for the right price, but the returns aren’t as strong as we had expected.”

I knew enough about reading bank prospectuses and profit-loss statements to know that the returns on the four million dollars Shahpour had pumped into Gold Coast Bank were substantial. I also knew that bankers were never satisfied.

“Well, you could always find a spot on your board for Fiora,” I said. “She has a few ideas about how to run banks.”

There was a low chuckle. “She does indeed. But I have a different kind of problem, one that you’re, ah, better equipped to handle than she is.”

I felt like a hummingbird that has just scented nectar. It was unusual for Shahpour to get to the bottom line so quickly. Whatever his problem was, it was just slightly less urgent than a heart attack.

“I would prefer not to discuss my, ah, difficulty on the phone,” continued Shahpour. “I know it’s an imposition, but could I ask you to have lunch with me? Today?”

Like I said, I was bored. Besides, it’s nice to encounter someone who appreciates your talents, particularly the kind of limited talents I seem to possess.

“Where and when?” I asked.

“The Ritz-Carlton. One o’clock. But, Fiddler . . .” He paused, as though unsure of his words.

"Yes?” I said, wondering what had left the eloquent Shahpour speechless.

“I’ll be at a table alone. If I don’t greet you, ignore me and leave. I know that sounds unusual, but there may be a certain element of, ah, risk in being seen with me. My precautions are for your own safety.”

I almost hummed with pleasure. With every word my incipient boredom faded. “I’m a big boy, Shahpour,” I said carelessly, “but I won’t say hello if you don’t.”

There are days when I’m as arrogant as a hummingbird with a full feeder. I never know which days those are until it’s too late to apologize to anyone who might be kind enough to still be speaking to me. This turned out to be one of those days. Shahpour really was worried about my neck. And with good reason. King David and his darning-needle beak wouldn’t have anything on the men Shahpour led me to, men who possessed courage, stupidity and hatred in equal, ever-blooming measures.

I didn’t know what I was getting into then. I only knew later, when I was counting my wounds and my losses—those shiny new scars across my self-esteem.

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A. E. Maxwell's second Fiddler & Fiora thriller, The Frog and the Scorpion (978-1-935415-00-8; trade paperback; $14), has just been reprinted, available for the first time in fifteen years! Find copies at your favorite independent, chain, or online bookseller. See the list at the right for some of the indies that support & stock BFP titles. ALSO AVAILABLE: The first Fiddler / Fiora thriller, Just Another Day in Paradise (978-0-9792709-6-3; paperback; $13). Read an excerpt from it here.

“Are you in the market for some good news? Try this: David Thompson, publisher of Busted Flush Press… is putting one of his, and my, favorite series ever back into print—the Fiddler books written by A.E. Maxwell… When the Fiddler books first came out, their lean prose and evocative looks at California life won comparisons to Spenser and McGee. Now, thanks to Thompson, we can all relive the pleasures of our youth.”—Dick Adler, former crime fiction reviewer for the Chicago Tribune, “The Knowledgeable Blogger"

"Wit, humor, suspense and a believable plot with just the right mix of action and dialogue."—United Press International

Friday, July 10, 2009

A quick post... BFP news...

I'm sorry to dash off this post so quickly, but much has been going on, and I promise to write in more detail next week...

Finally, A. E. Maxwell's second Fiddler & Fiora thriller -- The Frog and the Scorpion (978-1-935715-00-8; paperback; $14) -- should arrive in stores in about 2 weeks. A Jewish Iranian friend of Fiddler’s is being blackmailed by terrorists and needs Fiddler’s help. "One of the most interesting and engaging private eyes since Robert Parker’s Spenser."—Advertising Age

We're working on the tour schedule for Tower (by Ken Bruen & Reed Farrel Coleman; 978-1-935415-07-7; September; paperback original; $15). Due to scheduling conflicts, Ken Bruen may not be able to take part in events outside of NYC and Bouchercon (two of his books are currently filming, with the likes of Colin Farrell & Jason Statham... and Ken's even supposed to have lines in Blitz!), but we'll keep you posted. In the meantime, Reed will be in New York, Minneapolis, Denver/Boulder, San Francisco, Los Angeles, Phoenix/Scottsdale, Austin, Houston... and of course, Bouchercon in Indianapolis! More to come...

Busted Flush just signed up Scottish crime writer Donna Moore (Go to Helena Handbasket) for the American publication of her second novel, Old Dogs. This is an incredibly funny caper thriller... reads like a Guy Ritchie adaptation of The Thomas Crown Affair. I'll post more on this soon, including, at some point, interviews with Donna & her agent, fellow crime writer Allan Guthrie. Old Dogs will be published in summer 2010.

Have a great weekend!

Monday, May 18, 2009

Finding copies of Reed's books...

It may be a little difficult to find copies of the first three Moe Prager books by Reed Farrel Coleman -- especially the series debut, Walking the Perfect Square -- as most dealers have sold out and are awaiting additional stock. Maureen Corrigan's amazing NPR review of Reed's books came at a weird time since June 1st marks the beginning of Busted Flush Press's distribution by Consortium... books are presently in transit from BFP to Consortium, and then they'll be heading out to stores, wholesalers, online retailers, etc., in about 2 weeks. (Bookstores: Please contact your Consortium sales rep to place an order!) There's also a second printing in the works. Please be patient because, as Ms. Corrigan put it, "It may take you a little longer to nab them, but you'll appreciate them all the more for that."

In the meantime, I still have a limited number copies of all three here at the BFP office... simply go to http://www.bustedflushpress.com/ and purchase using PayPal. While you're there, check out the other wonderful offerings from Busted Flush... there's a reason I acquired all of these authors & titles: I love each and every one of them! If the Moe Prager books look good to you, also peruse the Fiddler & Fiora thrillers by A. E. Maxwell & the Stewart Hoag mysteries of Edgar Award winner David Handler. Then there's Vicki Hendricks's Miami Purity, which Reed himself says has a "deceptively simple and straightforward narrative style [that] belies the complexity and depth of emotion experienced by her protagonist, Sherise Parlay, and, vicariously, by the reader. In a masterful display of craft, Hendricks lets Sherise show us that knowing oneself and being in touch with one's feelings can be as much curse as blessing."
And, of course, you shouldn't miss Ken Bruen's early fiction in A Fifth of Bruen... with this you can get a sampling of the multiple-award-winning crime writer who has co-written a novel with his friend Reed Farrel Coleman, entitled Tower, which comes out in September. Oh yeah, and Bruen's London Boulevard (published by St. Martin's Minotaur) just happens to be filming right now, with Colin Farrell & Keira Knightley starring... so you mighta heard of him.

And if you have no idea what I'm talking about in regards to Maureen Corrigan's praise of Reed's Moe Prager novels, well, don't dally & check it out at NPR's website.

Want a taste of Walking the Perfect Square? Here's a free excerpt!

Now, later this week we'll take a breather from what appears to be Reed Farrel Coleman 24/7, as we talk about the just-released Impolite Society, by Cynthia Smith, and the coming-soon The Frog and the Scorpion, by A. E. Maxwell.... and then after that, an interview with Austin bookseller Scott Montgomery (at BookPeople), a recap of how things went at my first Consortium sales conference last week, and much more... please stick around!

Monday, March 16, 2009

JUST ANOTHER DAY IN PARADISE excerpt

Excerpt from Chapter One

LIKE THE RICH, California is different. But not that different. One of the new cities up the coast from me has a motto that says it all. “Just another perfect day in Paradise.” Honest to Christ. People will believe anything, but anyone over the age of twelve should be smart enough not to say it out loud.
Still, that motto runs through my mind every time I look out the big window of my house on the bluff. When the cottage was built, picture windows were the technological equivalent of silicon chips. The glass is so old that it has ripples and tiny bubbles. The flaws add texture to the streamers of gold and red, purple and cobalt that make up the standard southern California sunset. Yes indeed. Another day in Paradise.

But I didn’t say it out loud.

If the ocean at the western edge of California has a failing, it’s a certain lack of texture. Fine color, outstanding light, but not too much character. Out beyond the smog that hugs the water on some summer days, Catalina is the color of unfiltered wine. The island’s blunt stone cliffs are all that save the Gold Coast from being just another pretty face.

What I call the Gold Coast stretches along the California shoreline about fifty miles, from Malibu halfway to San Diego. Even though I invented the name, I’m sure other people must use it, too. It’s the only name that fits. Los Angeles doesn’t really touch the Gold Coast. Sure, L.A. has a couple of windows to the sea in the Palisades and the Marina, and a kind of Polish Corridor to the Port of San Pedro. But the Gold Coast is the rest of Southern California, the outer city to L.A.’s inner sprawl. The Gold Coast’s capital is Newport Beach. Its other major cities include Laguna Beach and the People’s Republic of Santa Monica. Seven million dreams and disillusionments with nothing in common but the Pacific Ocean.

Besides having the most beguiling climate on the North American continent, this stretch of the Pacific rim is characterized by a lack of tradition that’s either alluring or appalling, depending on whose column you’re reading. Houses older than twenty-five years qualify for attention from the local historical society. Basically, everybody is inventing the place as they go and spending a great deal of money in the process. It’s a place where the pecking order changes with the interest rates, which means there is a continuous shoving match for seats above the salt shaker. The competition gets a bit fierce at times. Along the Gold Coast, cocktail parties are a form of blood sport.

I like the place, because I like to invent life as I go along. The Coast, as natives call it, is the magnet that has drawn the best, brightest, meanest, and most aggressive folks in the hemisphere. In the world, if you include the Vietnamese and Iranian contingent. I’m not talking about Boat People or fanatic Muslim students; I’m talking about the people who got out flying their own planeloads of gold while their countries blew up around them.

There is, of course, a social hierarchy on the Gold Coast, but it’s almost an inverted pyramid. The more important the individual, the less likely he is to be recognized as such. Even oil princes keep a low profile. On this scale any elected politician is, by definition, unimportant. No man of real significance would expose himself to such humiliation. The less visible and more wealthy, the more important.

That makes it convenient for me. A low profile has survival value.
Where do I fit in this scheme? I’ve asked myself that question a few times, especially after I got enough money to sit on my butt until it went numb. How much money? Like I said, enough. Enough money is when you never have to think about it. Yeah, I hear you. If you don’t think about it, how do you get it, much less keep it? Simple. You have an uncle three years older than you who dies penniless and leaves you with a steamer trunk full of greasy $20s, $50s, and $100s. Then you happen to be married at the time to a honey-blond tiger shark of an investment banker whose middle name is Midas.

In no time at all you have more money than you can count, an ex-wife, a numb butt, and a desire to kill something. Anything. You’ve discovered that the only thing worse than not liking your work is not having any work to dislike. After you’ve bought everything you thought you ever wanted, drunk ancient and unpronounceable wines, eaten ancient and unpronounceable cuisines, chased and caught the best ass on this or any other coast—what then?
Numb butt, that’s what. And rage. The Chinese knew what they were doing when they cursed their enemies with a single phrase: May your fondest wish come true.

Not that I’m mad at Fiora. She was only doing what she does best—make money. I don’t ask those suicidal questions anymore: Who was wrong and who was right, who was innocent and who was screwed I just sign the contracts she puts in front of me. We get along a lot better now than we did when we were married. I don’t even get mad at her when she spends my money. After all, she earned it, with some help from Uncle Jake, and he is in no position to object to how his ill-gotten gains were laundered.

There is, of course, still some problem with having that much money, particularly when you weren’t raised with it. Being proud of doing nothing was not one of the things they taught me in northern Montana. You may not have to be born into wealth to enjoy it, but indolence is something else. It wasn’t the guilt that got to me. It was the boredom.

For a time I even considered going back to fiddling. Serious fiddling that is. The kind you do with an orchestra. I had been a nine-day wonder with the violin when I was younger. They told me I was good. The best. I might have been, but not to my own goddamned ear. Perfect pitch. Human hands. The twain only meet in my dreams. Long ago I threw that ravishing, bastard violin under the wheels of a southbound Corvette. But with more time, enough money to buy the best . . . ? So I picked up a violin, felt the strings vibrate through my soul as I drew the bow down, and was haunted by a perfection I couldn’t touch.
Maybe when I’m sixty, and perfect pitch is only a memory. Maybe then I’ll play again.

Finally I struck on an idea that comforts me in about the same way libraries comforted Andrew Carnegie. It’s called giving people a hand. I figure that I got lucky and other people didn’t. So I’ll spread my luck around as long as I have it.

That’s how I got the extra crack in my skull, my nose rearranged, and a few odd scars over my body. As the government would put it: Interfering in other people’s business can be hazardous to your health. I keep sawing away, though, fiddling with the world’s distribution of bad and good luck.
I never fool myself into believing I do it for anybody but me, to make me feel better. Well, almost never. Every time I forget, I get myself into trouble. Take my wife. Or my ex-wife, to be precise. And that is both halves of the problem—ex and wife. I am still absolutely mad about the woman that I was once married to. Fiora feels the same way about me, which is why we end up chasing and catching one another every few months. She has the smallest waist and the most beautifully formed breasts of any woman I have ever seen, and, in some ways, she’s the smartest person I know.

Every couple of months, for one night or even two, we have an absolutely wonderful time with one another. Then the old troubles set in. We are cursed. Same appetites, different metabolism. No matter what time or how thoroughly Fiora was bedded the night before, she bounces up from our sheets full of the sharp desire to slay dragons, always not much more than five minutes before or after 6 A.M. She varies about as much as your average vernal equinox.
On the other hand, I’m likely to need a jump start from a twelve-volt system. If I’m out of bed before 9 A.M. it’s only because the day is going to be too hot to run after then. The pounding of three miles on pavement, a modest round of weights and mantras, Mencken or whoever, and I’m ready to face the world. But just barely.

Fiora never understood that about me. And I never understood what it’s like to face dawn with a predatory smile. Midnight, now—yeah, that’s different. Like I said; same appetites, different metabolisms. A fact of life that we both curse with regularity. In another era we probably would have remained married and made one another miserable for forty or fifty years before we reached our angle of mutual repose. But in our modern and supposedly enlightened age, we split the blanket after a few years of trying. I wish to hell I knew whether that was the smart thing to do. So does Fiora. We probably won’t know for another thirty or forty years. All I know is that sometimes she can crush my heart with a single look. She says I can do the same to her. Sometimes. When the times mesh, it’s extraordinary. When they don’t—well, there’s always next time. Isn’t there?
The hope of a next time was why I was sitting in her office on the nineteenth floor of one of the smoked-glass commercial cathedrals along Century Park East in Century City. I was there even though I knew that, at the moment, Fiora was keeping company with a slick European named Volker. Fiora and I were together long enough that we’re possessive, but we owe one another enough that we don’t keep track. So when Fiora called me this morning, at least half an hour before I’m normally human, and asked me to drop by about 11 A.M., I replied with one word:

“Sure.”

I should have stayed in bed....

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A. E. Maxwell's first Fiddler & Fiora novel, Just Another Day in Paradise (trade paperback; $13), has just been reprinted, available for the first time in fifteen years! Find copies at your favorite independent, chain, or online bookseller. See the list at the right for some of the indies that support & stock BFP titles.

"David Thompson at Busted Flush Press is bringing back some of [A. E. Maxwell's Fiddler] books, which is going to make a lot of readers happy.... Fiddler is tough, resourceful, and competent. Fiora is beautiful and smart. Maxwell keeps turning up the tension, and the book doesn't pause for breath. If you're not acquainted with the series, this is a great time to change that. If you remember it fondly, now you can read it again in a good-looking trade paperback edition. Check it out." -- Bill Crider, Edgar Award-nominated author of Murder in Four Parts