Showing posts with label JUST ANOTHER DAY IN PARADISE. Show all posts
Showing posts with label JUST ANOTHER DAY IN PARADISE. Show all posts

Tuesday, July 21, 2009

THE FROG AND THE SCORPION excerpt

The Frog and the Scorpion, by A. E. Maxwell
(978-1-935415-00-8; paperback; $14) Now available!

Chapter One

IT WAS THE bomb that really ticked me off. That was the sound it made, too. Tick, tick, tick, just like it had been hoked up on a George Lucas special-effects assembly line. I remember looking at the bomb, recognizing what it was, and wondering whether the Timex sitting on top of those three sticks of dynamite was shock-resistant.

But the story really began well before that, back in 1978, when the Ayatollah left Paris and flew back to Teheran in triumph. Or maybe it was in 1948, when the Brits left the Arabs and the Jews to fight it out in what was at that moment Palestine and soon became the bloody Middle East.

Oh hell, it was probably two hundred or six hundred years ago. Or a thousand or two hundred thousand, or a million, before men were men, back when they were renegade apes. Or maybe it all began with hummingbirds.

I say this because I remember sitting on the deck in my backyard, face turned up to the sensuous July sunlight, when the first phone call came in. I was watching the hummingbirds at play around the hummingbird feeder Fiora had given me for my birthday just before she took off for five weeks at Harvard, a midsummer seminar on leverage deals and silver bullion futures trading. Rigor mortis set into my soul at the thought of sitting through a few learned lectures on how to screw thy neighbor while preserving every legal nicety. Fiora didn’t see finances that way. The thought of money manipulations brought a light to her eyes that could only be equaled by the prospect of a prolonged romp in bed.

Unfortunately, a romp was not why she had dropped in on me that morning. When I reached for her, she kissed me just enough to get my full attention, smiled beautifully and handed me a package.

“I wouldn’t want you to be bored while I’m away,” she said, “so I brought along some world-class warfare for you to watch.”

My relationship with this honey-haired, hazel-green-eyed woman is a complicated one. We are still married in a lot of ways, although we try to keep the natural friction of two strong wills and two different natures at manageable levels by the polite paper pretense of divorce. Life isn’t that easy, of course. Society can make a union legal or illegal, but it can’t do a damn thing about unruly hearts. Fiora and I still care for one another in extraordinary and sometimes painful ways.

Fiora knows that one of the biggest problems in my life is boredom. She even feels a bit responsible. After all, she’s the one who took the steamer trunk full of currency that my uncle Jake left me and turned it into a small fortune with some shrewd manipulations of the sort taught at Harvard during the summer doldrums. So when Fiora takes off on business junkets, as she regularly does, she tries to leave me with something amusing.

That afternoon I took the package from her and began pulling off bright ribbons when I sensed her watching my hands. The scars don’t show too much anymore; only small, vaguely shiny little circles remain to mark the places where nails from the Oxy-Con packing crate slammed through flesh and bone. But the hole left in Fiora’s life was considerably larger and didn’t show at all on the outside. We rarely talk about her twin brother’s death and our own encounter with his murderer. The memories are there, though; they show in Fiora’s eyes when she watches my hands; they show in the sad gentleness with which she touches the scars, giving me silent apologies that I never asked for and certainly don’t deserve.

Fiora brushed the corner of my mustache and traced my mouth with an elegant, smooth fingertip. “This present is to keep you out of trouble while I’m gone,” she said in a husky voice.

“I’m perfectly capable of amusing myself,” I said, deliberately misunderstanding her. I ripped the gift paper with more force than necessary.

“That’s what I am trying to prevent,” she retorted.

“Then this had better be a hell of a lot sexier than the square box suggests,” I muttered.

Fiora slid a nail into the crease between my lips and I opened my teeth to catch it. Like I say, we have a very complicated relationship with a pretty simple core.

“Sex is a part of this,” she said, tapping the package. “But it has a lot of other things you like, too. Power and competition, courage and cowardice. All the bloody absolutes that fascinate you.”

With that introduction I was not expecting a bird feeder. I gave her a look that had become familiar after years of marriage and separation.

“Love,” she whispered, bending over, ruffling my hair and nerve endings, “have I ever misled you?”

There was an obvious answer to that, but pinpointing the specifics was as elusive a task as identifying the fragrance Fiora wore.

“On second thought,” she said, “don’t answer. It’s such a beautiful day.”

As she reached for the cardboard carton, she gave me that special smile, the one that crushes hearts—or makes them whole. She was right. It was a beautiful day. I smiled in return, admiring the way her hair and body shimmered beneath sunlight and pale green silk. I saw her hesitate and knew that she was thinking about chucking the bird feeder in the koi pond and dragging me off to bed. Then she sighed and began prying at the stubborn package.

“No?” I asked softly.

“No,” she said, regret clear in her tone.

I watched her slender fingers moving over pictures of soft little hummingbirds and reminded myself that where Fiora was concerned, patience was the only virtue that mattered. She had an unusual amount of trouble opening that box but I didn’t offer to help. If I touched her again right away, it would take more than a lovely smile to make me let her go.

Finally a brash red-and-yellow plastic feeder emerged from the shambles Fiora made of the innocent cardboard box. The more I looked at the feeder the uglier it got. I tried to hide my reaction to her present. I shouldn’t have bothered. That woman can read me like a ledger sheet. She shot me an amused glance and turned the feeder in a complete circle for my greater aesthetic appreciation.

“Yeah, I know,” she said. “These things look like whore’s Christmas, but they’re more fun than a seat on the Grain Exchange.”

With what I hoped was a polite expression of disbelief I eyed the contraption dangling from her hand. There was a clear glass bottle that ended in four red plastic bugles which I assume were intended to look like big flowers whose unlikely centers were a chrome-yellow mesh. I have a feeling, now that I know a bit more about it, that the flower likeness is for the humans rather than the hummingbirds. Hummers have very little of what I would call an aesthetic sense, but their olfactory equipment more than compensates. They could scope out a drop of nectar in a parking lot the size of Kansas. They sure as hell don’t need phony stamens and pistils to point the way.

Fiora reached into her Gucci bag and produced a pint bottle full of a transparent scarlet fluid. “You can make this stuff yourself,” she said. “Don’t bother to buy the prepared nectar. They price it like it’s something special, but it’s just sugar and water and a little food coloring.”

Her motto is: Watch the pennies and the dollars take care of themselves. A true Scot. I, on the other hand, am a true son of Uncle Jake, who loved adrenaline more than he loved dollars but spent both with equal abandon.

“Fiora, I don’t like to seem ungrateful,” I said, trying to be tactful, “but you’re in the wrong place. This may be California’s Gold Coast, but I’ve never seen a hummingbird in my yard. Maybe the salt air doesn’t agree with them.” I added, waving toward the endless sapphire ocean that was my backyard. “Or maybe the rent’s too high.”

“That’s what I thought about Beverly Hills,” she said. “C’mon. I’ll show you where to put the feeder.”

She filled the feeder and hung it on a nail sticking out of an overhead beam in the middle of the patio deck. Then we sat in the brilliant afternoon sunlight, drinking a bottle of crisp Fumé Blanc from Rutherford and watching the world’s ugliest imitation flower.

After fifteen minutes I said, “Better than most television, I have to agree.”

Fiora lifted one honey eyebrow at me. “Patience, Fiddler.”

So we watched the damn thing for a while.

I was about to suggest that we adjourn to the bedroom for our second glass of wine when I heard a low, thrumming roar about three feet from my ear. My head snapped around. For an instant I saw something hanging in midair, staring at the unlikely flower dangling from the nail over the deck. The “something” appeared to be a cross between a redheaded bumblebee and a green Gambel’s quail.

So help me God, at first glance that’s what the hummingbird looked like. And a glance was all I got. The sudden movement of my head startled him and he darted off so quickly I wasn’t even sure I had seen him in the first place.

“Don’t worry,” Fiora smiled. “He’ll be back.”

Fifteen seconds later the hummingbird reappeared as though he had teleported into position six inches from the feeder. This time I clamped down on my reflexes and watched without so much as moving an eyelash. The hummer wasn’t much bigger than my thumb. His tiny wings beat so rapidly that they were nearly invisible. He was shiny and soft and cute—a tiny Disney character—until I noticed that he was equipped with a beak that looked as long as a darning needle and about as sharp.

As I watched, he hovered, inspecting the garish feeder. Then he snapped forward like he was on an invisible rubber band and thrust his sharp bill into the heart of one of the plastic flowers. After a moment he withdrew, then thrust again. A little bubble boiled up through the red fluid, indicating the bird’s success at solving the minor mystery of the feeder.

“No hummers around, huh?” said Fiora, licking a bit of the wine with a quick pink tongue. “If you get one this fast, you’re going to have a swarm before long.”

She was on a plane for Boston when her prophecy came true. I had dropped her off at LAX, kissed her until I had her full attention and reminded her that I cared a great deal for her. By the time I got back to the house on Crystal Cove, between Newport Beach and Laguna, it was evening. I tucked the Cobra into the garage and walked along the deck to the back door. Before I reached the back patio I heard a harsh, metallic squirring and caught sight of a pair of hummers circling and darting and slashing around the feeder. I stopped and stared, fascinated by the most dazzling and bloodthirsty aerial display I’d seen since the Harriers and the Pucaras traded insults over the Falklands on the CBS news.

Like most modern battles, this one lasted for about fifteen seconds. There was a king on the ocean bluff—I assumed he was the original discoverer of the world’s ugliest flower—and a pretender to the plastic throne. The two hummers flew directly at one another, stopped to hover in midair a few inches apart, darted sideways a foot and hovered again. Then the franchise holder thrust with the speed and grace of an Olympic duelist. The interloper fled. His dominance successfully enforced, the king darted off to perch in my lemon tree.

Five seconds later the interloper reappeared, facing the intrepid defender and challenging him with a sound like a fingernail on a blackboard. They darted side to side, then clashed and locked, hanging in midair for a moment before falling with a soft thump onto the redwood deck. They lay there almost at my feet, oblivious to anything but each other and their war.

In an odd way the battle was all the more vicious for the badminton heft of the combatants. You expect lions or eagles to go at one another talon and claw, but hummingbirds? They’re so small. How can those little bodies hold so much courage and hatred?

There was no answer and the birds knew it. They untangled beaks and claws and scrambled back into the air. One hummer fled and the other zipped off to the lemon tree, which was about ten feet from the feeder. With the bad sportsmanship I have come to associate with hummers, the winner jeered metallically at his vanquished opponent and then sat preening his minute feathers with his warrior’s beak. I walked onto the deck. That silly bird screed at me, warning me off the ugly flower.

“You must have heard about David and Goliath,” I said politely. “You know, the boy with more guts than brains.”

The hummer sat and cursed me nonstop.

“Right, Davy. I can take a hint.”

Five minutes after I went inside I heard another battle, and it went on that way for the rest of the summer. As long as I kept the feeder primed there were about a dozen fierce hummers doing battle for their positions around the ever-blooming flower. Hummers are hyperkinetic. They can go through several times their own weight in food every day, so a constant source of energy was worth fighting for.

And fight they did.

At first it was entertaining to watch them. Their patterns of behavior were so erratic and yet so predictable. The head son of a bitch was King David, a little greenish guy with a ruby throat that extended almost to his eyes. He spent hours on guard, driving away any and all comers. Maybe once an hour he would let a small, soft-gray-green female drink but he would terrify any male who appeared.

And then, for reasons I still have not been able to explain, at the close of day the flower warden would declare a twilight amnesty. For a few minutes it would be free-for-all, with four or five hummers at a time lined up to refuel under the head hummer’s baleful screeing. King David would squirr and curse up a storm, but he wouldn’t defend the flower. After a seemly amount of time, he would take to the air again and clear the skies, a miniature Von Richthoven in a blood-red scarf.

For a while I thought that it was nice of King David to share the wealth of the bottomless flower. But then I found myself wondering whether he let the others drink simply to keep them from losing heart and flying off to other flower kingdoms where they might have a chance of becoming the head hummer. That kind of perverse generosity isn’t a comforting or comfortable thought, I suppose, but then life isn’t always comforting or comfortable.

I had reason to reflect on such matters over the next few weeks. And these reflections began and ended with the hummingbirds, the phone call I got from Shahpour on a bright July morning, and the bomb that had started ticking long, long before.

The sharp-beaked warriors were in full flight when the phone rang, the sunlight was molten gold on the back deck, and the Pacific was a blue so bright it burned. I had finished the newspaper and was glancing about for something to do to amuse myself. That’s the price you pay for not having to work for a living, for being what Fiora calls “independently well-heeled.” Ultimately, you have to invent your own way of proving self-worth and social value.

Well, self-worth, anyway. Social value is a matter of organized opinion, like the number of angels that can do unseemly acts on the head of a pin, or whether the United States is the Great Satan and Khomeini is the Third Coming. Some people go to the office every day to reinforce their sense of self-worth. Me, I fiddle around in other people’s business, lending a hand where I can and deviling the comfortable in behalf of the uncomfortable. But I had no special projects at that moment, so I was in precisely the proper frame of mind when the phone rang and a secretary on the other end asked me to hold for Shahpour Zahedi.

Shahpour was a shrewd, handsome Middle Easterner who owned controlling interest in a little bank down the Gold Coast from me. I knew he was Iranian, and that his father had been finance minister under the late, lamented and lamentable Shah, but I tried not to hold that against Shahpour. I figured the sins of the sons are bad enough without stacking on holdovers from the previous generation.

Fiora and Shahpour met a few years ago when they collaborated on financing a small business park near Los Angeles International Airport. Since he knew Fiora was playing the game with my money, I was included in the obligatory business lunches. That was the first test and Shahpour passed it with all flags flying. You see, besides having a tangled personal life, Fiora and I present some unusual challenges to modern business sensibilities. When it comes to money, she is the heavy. I’m not a fiscal dummy, but I have sense enough to recognize genius and to give it—or rather her—the power of attorney.

Cops, Latinos and Middle Eastern types are baffled by the power structure of my relationship with Fiora. They have a hell of a time figuring out just who does what and with which and to whom. There is usually a fair amount of thrashing around and some minor bloodshed at Spago or Jimmy’s where the high-powered male executive we’re lunching condescends to Fiora and flatters me. Then he gets totally confused trying to figure out why she is feeding him his lunch and I’m sitting there smiling at my beautiful mate and applauding every slice and slash.

Middle Easterners can be overweening, particularly in their disdain for women. But Shahpour was different from the outset. For one thing, he talked to both of us as intelligent adults; I don’t think Fiora had to zing him once to get his attention. Shahpour had been educated in the West—Paris and the Wharton School of Finance—and he carried in those dark eyes a shrewd self-assurance that both accepted the intricacies of American culture and acknowledged importance wherever it was found. Fiora was one of those important intricacies. I was another. Shahpour enjoyed us both.

“Fiddler, how are you?” he asked as he picked up the receiver.

There was not a trace of accent, neither French nor Farsi. His voice was like his mind, endlessly flexible and enormously quick. The tone was different from what I had remembered, though. There was an edge to it that was more than worry and less than fear.

“I’m fine, Shahpour. How are things in the banking business?”

“I’m afraid my family picked the wrong time to get into the American market,” he said. “We bought our shares at the Gold Coast Bank for the right price, but the returns aren’t as strong as we had expected.”

I knew enough about reading bank prospectuses and profit-loss statements to know that the returns on the four million dollars Shahpour had pumped into Gold Coast Bank were substantial. I also knew that bankers were never satisfied.

“Well, you could always find a spot on your board for Fiora,” I said. “She has a few ideas about how to run banks.”

There was a low chuckle. “She does indeed. But I have a different kind of problem, one that you’re, ah, better equipped to handle than she is.”

I felt like a hummingbird that has just scented nectar. It was unusual for Shahpour to get to the bottom line so quickly. Whatever his problem was, it was just slightly less urgent than a heart attack.

“I would prefer not to discuss my, ah, difficulty on the phone,” continued Shahpour. “I know it’s an imposition, but could I ask you to have lunch with me? Today?”

Like I said, I was bored. Besides, it’s nice to encounter someone who appreciates your talents, particularly the kind of limited talents I seem to possess.

“Where and when?” I asked.

“The Ritz-Carlton. One o’clock. But, Fiddler . . .” He paused, as though unsure of his words.

"Yes?” I said, wondering what had left the eloquent Shahpour speechless.

“I’ll be at a table alone. If I don’t greet you, ignore me and leave. I know that sounds unusual, but there may be a certain element of, ah, risk in being seen with me. My precautions are for your own safety.”

I almost hummed with pleasure. With every word my incipient boredom faded. “I’m a big boy, Shahpour,” I said carelessly, “but I won’t say hello if you don’t.”

There are days when I’m as arrogant as a hummingbird with a full feeder. I never know which days those are until it’s too late to apologize to anyone who might be kind enough to still be speaking to me. This turned out to be one of those days. Shahpour really was worried about my neck. And with good reason. King David and his darning-needle beak wouldn’t have anything on the men Shahpour led me to, men who possessed courage, stupidity and hatred in equal, ever-blooming measures.

I didn’t know what I was getting into then. I only knew later, when I was counting my wounds and my losses—those shiny new scars across my self-esteem.

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A. E. Maxwell's second Fiddler & Fiora thriller, The Frog and the Scorpion (978-1-935415-00-8; trade paperback; $14), has just been reprinted, available for the first time in fifteen years! Find copies at your favorite independent, chain, or online bookseller. See the list at the right for some of the indies that support & stock BFP titles. ALSO AVAILABLE: The first Fiddler / Fiora thriller, Just Another Day in Paradise (978-0-9792709-6-3; paperback; $13). Read an excerpt from it here.

“Are you in the market for some good news? Try this: David Thompson, publisher of Busted Flush Press… is putting one of his, and my, favorite series ever back into print—the Fiddler books written by A.E. Maxwell… When the Fiddler books first came out, their lean prose and evocative looks at California life won comparisons to Spenser and McGee. Now, thanks to Thompson, we can all relive the pleasures of our youth.”—Dick Adler, former crime fiction reviewer for the Chicago Tribune, “The Knowledgeable Blogger"

"Wit, humor, suspense and a believable plot with just the right mix of action and dialogue."—United Press International

Monday, March 16, 2009

JUST ANOTHER DAY IN PARADISE excerpt

Excerpt from Chapter One

LIKE THE RICH, California is different. But not that different. One of the new cities up the coast from me has a motto that says it all. “Just another perfect day in Paradise.” Honest to Christ. People will believe anything, but anyone over the age of twelve should be smart enough not to say it out loud.
Still, that motto runs through my mind every time I look out the big window of my house on the bluff. When the cottage was built, picture windows were the technological equivalent of silicon chips. The glass is so old that it has ripples and tiny bubbles. The flaws add texture to the streamers of gold and red, purple and cobalt that make up the standard southern California sunset. Yes indeed. Another day in Paradise.

But I didn’t say it out loud.

If the ocean at the western edge of California has a failing, it’s a certain lack of texture. Fine color, outstanding light, but not too much character. Out beyond the smog that hugs the water on some summer days, Catalina is the color of unfiltered wine. The island’s blunt stone cliffs are all that save the Gold Coast from being just another pretty face.

What I call the Gold Coast stretches along the California shoreline about fifty miles, from Malibu halfway to San Diego. Even though I invented the name, I’m sure other people must use it, too. It’s the only name that fits. Los Angeles doesn’t really touch the Gold Coast. Sure, L.A. has a couple of windows to the sea in the Palisades and the Marina, and a kind of Polish Corridor to the Port of San Pedro. But the Gold Coast is the rest of Southern California, the outer city to L.A.’s inner sprawl. The Gold Coast’s capital is Newport Beach. Its other major cities include Laguna Beach and the People’s Republic of Santa Monica. Seven million dreams and disillusionments with nothing in common but the Pacific Ocean.

Besides having the most beguiling climate on the North American continent, this stretch of the Pacific rim is characterized by a lack of tradition that’s either alluring or appalling, depending on whose column you’re reading. Houses older than twenty-five years qualify for attention from the local historical society. Basically, everybody is inventing the place as they go and spending a great deal of money in the process. It’s a place where the pecking order changes with the interest rates, which means there is a continuous shoving match for seats above the salt shaker. The competition gets a bit fierce at times. Along the Gold Coast, cocktail parties are a form of blood sport.

I like the place, because I like to invent life as I go along. The Coast, as natives call it, is the magnet that has drawn the best, brightest, meanest, and most aggressive folks in the hemisphere. In the world, if you include the Vietnamese and Iranian contingent. I’m not talking about Boat People or fanatic Muslim students; I’m talking about the people who got out flying their own planeloads of gold while their countries blew up around them.

There is, of course, a social hierarchy on the Gold Coast, but it’s almost an inverted pyramid. The more important the individual, the less likely he is to be recognized as such. Even oil princes keep a low profile. On this scale any elected politician is, by definition, unimportant. No man of real significance would expose himself to such humiliation. The less visible and more wealthy, the more important.

That makes it convenient for me. A low profile has survival value.
Where do I fit in this scheme? I’ve asked myself that question a few times, especially after I got enough money to sit on my butt until it went numb. How much money? Like I said, enough. Enough money is when you never have to think about it. Yeah, I hear you. If you don’t think about it, how do you get it, much less keep it? Simple. You have an uncle three years older than you who dies penniless and leaves you with a steamer trunk full of greasy $20s, $50s, and $100s. Then you happen to be married at the time to a honey-blond tiger shark of an investment banker whose middle name is Midas.

In no time at all you have more money than you can count, an ex-wife, a numb butt, and a desire to kill something. Anything. You’ve discovered that the only thing worse than not liking your work is not having any work to dislike. After you’ve bought everything you thought you ever wanted, drunk ancient and unpronounceable wines, eaten ancient and unpronounceable cuisines, chased and caught the best ass on this or any other coast—what then?
Numb butt, that’s what. And rage. The Chinese knew what they were doing when they cursed their enemies with a single phrase: May your fondest wish come true.

Not that I’m mad at Fiora. She was only doing what she does best—make money. I don’t ask those suicidal questions anymore: Who was wrong and who was right, who was innocent and who was screwed I just sign the contracts she puts in front of me. We get along a lot better now than we did when we were married. I don’t even get mad at her when she spends my money. After all, she earned it, with some help from Uncle Jake, and he is in no position to object to how his ill-gotten gains were laundered.

There is, of course, still some problem with having that much money, particularly when you weren’t raised with it. Being proud of doing nothing was not one of the things they taught me in northern Montana. You may not have to be born into wealth to enjoy it, but indolence is something else. It wasn’t the guilt that got to me. It was the boredom.

For a time I even considered going back to fiddling. Serious fiddling that is. The kind you do with an orchestra. I had been a nine-day wonder with the violin when I was younger. They told me I was good. The best. I might have been, but not to my own goddamned ear. Perfect pitch. Human hands. The twain only meet in my dreams. Long ago I threw that ravishing, bastard violin under the wheels of a southbound Corvette. But with more time, enough money to buy the best . . . ? So I picked up a violin, felt the strings vibrate through my soul as I drew the bow down, and was haunted by a perfection I couldn’t touch.
Maybe when I’m sixty, and perfect pitch is only a memory. Maybe then I’ll play again.

Finally I struck on an idea that comforts me in about the same way libraries comforted Andrew Carnegie. It’s called giving people a hand. I figure that I got lucky and other people didn’t. So I’ll spread my luck around as long as I have it.

That’s how I got the extra crack in my skull, my nose rearranged, and a few odd scars over my body. As the government would put it: Interfering in other people’s business can be hazardous to your health. I keep sawing away, though, fiddling with the world’s distribution of bad and good luck.
I never fool myself into believing I do it for anybody but me, to make me feel better. Well, almost never. Every time I forget, I get myself into trouble. Take my wife. Or my ex-wife, to be precise. And that is both halves of the problem—ex and wife. I am still absolutely mad about the woman that I was once married to. Fiora feels the same way about me, which is why we end up chasing and catching one another every few months. She has the smallest waist and the most beautifully formed breasts of any woman I have ever seen, and, in some ways, she’s the smartest person I know.

Every couple of months, for one night or even two, we have an absolutely wonderful time with one another. Then the old troubles set in. We are cursed. Same appetites, different metabolism. No matter what time or how thoroughly Fiora was bedded the night before, she bounces up from our sheets full of the sharp desire to slay dragons, always not much more than five minutes before or after 6 A.M. She varies about as much as your average vernal equinox.
On the other hand, I’m likely to need a jump start from a twelve-volt system. If I’m out of bed before 9 A.M. it’s only because the day is going to be too hot to run after then. The pounding of three miles on pavement, a modest round of weights and mantras, Mencken or whoever, and I’m ready to face the world. But just barely.

Fiora never understood that about me. And I never understood what it’s like to face dawn with a predatory smile. Midnight, now—yeah, that’s different. Like I said; same appetites, different metabolisms. A fact of life that we both curse with regularity. In another era we probably would have remained married and made one another miserable for forty or fifty years before we reached our angle of mutual repose. But in our modern and supposedly enlightened age, we split the blanket after a few years of trying. I wish to hell I knew whether that was the smart thing to do. So does Fiora. We probably won’t know for another thirty or forty years. All I know is that sometimes she can crush my heart with a single look. She says I can do the same to her. Sometimes. When the times mesh, it’s extraordinary. When they don’t—well, there’s always next time. Isn’t there?
The hope of a next time was why I was sitting in her office on the nineteenth floor of one of the smoked-glass commercial cathedrals along Century Park East in Century City. I was there even though I knew that, at the moment, Fiora was keeping company with a slick European named Volker. Fiora and I were together long enough that we’re possessive, but we owe one another enough that we don’t keep track. So when Fiora called me this morning, at least half an hour before I’m normally human, and asked me to drop by about 11 A.M., I replied with one word:

“Sure.”

I should have stayed in bed....

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A. E. Maxwell's first Fiddler & Fiora novel, Just Another Day in Paradise (trade paperback; $13), has just been reprinted, available for the first time in fifteen years! Find copies at your favorite independent, chain, or online bookseller. See the list at the right for some of the indies that support & stock BFP titles.

"David Thompson at Busted Flush Press is bringing back some of [A. E. Maxwell's Fiddler] books, which is going to make a lot of readers happy.... Fiddler is tough, resourceful, and competent. Fiora is beautiful and smart. Maxwell keeps turning up the tension, and the book doesn't pause for breath. If you're not acquainted with the series, this is a great time to change that. If you remember it fondly, now you can read it again in a good-looking trade paperback edition. Check it out." -- Bill Crider, Edgar Award-nominated author of Murder in Four Parts

Tuesday, February 17, 2009

Just arrived: JUST ANOTHER DAY IN PARADISE!


*sigh* At long last, the first book of one of my all-time favorite series is back in print! We've just received copies of A. E. Maxwell's Just Another Day in Paradise (978-0-9792709-6-3; paperback; $13)... if you've preordered copies through your favorite booksellers, they should have them in about a week. Along with David Handler's Stewart "Hoagy" Hoag series and the someday-I'll-be-reprinting-it crime masterpiece Stone City (by Mitchell Smith), Maxwell's exciting private eye series is one of the reasons I created Busted Flush Press in the first place... I had to see them live again! Now, as you've probably noticed, I've been a tad slow at getting these (and other) books out... but I seem to have my act together for a change, and the next three Fiddler novels will be published over the next 12 months.

One year after John D. MacDonald's passing and a few years before Randy Wayne White would publish Sanibel Flats, husband-and-wife writing team Ann & Evan Maxwell (under the nom de plume A. E. Maxwell) created failed violinist-turned-P.I. Fiddler. When friends need his special brand of help, he "fiddles" with their problems, aided by his gorgeous financial wizard ex-wife, Fiora, and his electronics genius best bud, Benny... always with, through Fiddler's eyes, insightful musings on Southern California society & culture of that time. Originally published in the late '80s/early '90s -- first by Doubleday, then by Villard -- these books have not been in print for about 15 years. Ann Maxwell has since gone on to recreate herself as best-selling suspense novelist "Elizabeth Lowell" -- with a few of those books echoing the feel of the Fiddlers -- and there hasn't been a Fiddler / Fiora novel since the eighth, 1993's Murder Hurts... but for those of you (especially fans of MacDonald, White, T. Jefferson Parker, Don Winslow, Robert Ferrigno, and Robert Parker!) who haven't yet discovered these Southern California crime novels, here's your chance!

And now, the synopsis of the series debut, Just Another Day in Paradise...

Looking out his window, Fiddler can’t help thinking that California’s Gold Coast is pretty damn close to Paradise, even if that is a cliché. But he’s about to catch a glimpse of the shady side of this sun-drenched Eden, thanks to his ex-wife Fiora, a honey-blonde with a body that won’t quit and a mind to match.

Even though Fiora’s sheets are being warmed by an utterly charming European these days, there are still plenty of times she wants Fiddler by her side. Like when a couple of agents from the U.S. Customs Department start grilling her about the Silicon Valley export business owned by her suddenly unavailable-for-comment twin brother. Danny’s into electronics—the kind that come in miniature chips—but it seems he’s also been dabbling in other, more dangerous, enterprises. With Fiora’s soft spot for her twin offset by Fiddler’s hard head and matching muscles, the pair swing into action, knowing they don’t have much time to save Danny from the feds, from his enemies and, most of all, from himself.

And a few words on the series...

“Fiddler is to California what Spenser is to Boston and Travis McGee is to Florida. Tough, smart guys who know that sometimes, what looks like paradise, is pure hell.”—Paul Levine, best-selling author of Solomon vs. Lord and Illegal
“Unlike too many other fictional PI’s, Fiddler has aged well. So has his ex-wife and occasional bedmate, Fiora, one of the smartest, toughest, sexiest broads in crime fiction. The plots are well-hewn, the dialogue crackling, the bad guys among the very baddest. But the real payoff is A. E. Maxwell’s gimlet-eyed take on California circa 1980s. From the yachty Newport crowd and the oenophiles of Napa to the dream-seeking denizens of L.A., Maxwell’s books provide a sort of literary amber, capturing the scene and saving it for posterity.”—Bob Morris, Edgar Award-nominated author of The Deadly Silver Sea

“A. E. Maxwell wrote one of the smartest, most consistent PI series in recent memory. Big plots, great villains, and a kickass private eye with plenty of humanity. The toughness of Robert B. Parker’s early Spenser novels blended with the wry humor and scope of Ross Thomas. Wholly original, endlessly entertaining. The books of A. E. Maxwell are a forgotten treasure.”
Tim Maleeny, best-selling author of Greasing the Piñata and Jump

“The writing is lean and restrained, and Fiddler... gives Travis McGee a real run for his money.”—Los Angeles Times

“Weary of dreary police procedurals, morally ambiguous cold warriors, hypersensitive and much-too-introspective private eyes? Then you may just be man or woman enough to ride shotgun with A. E. Maxwell’s Fiddler.”—Los Angeles Herald Examiner

“If there is a ‘new’ macho, the epitome would be Fiddler, whose self-possession, subtle wit, electrifying speech, and personal honesty spell good news for mystery readers.”—The Washington Post

Coming soon: An excerpt from Just Another Day in Paradise, an interview with the authors, and more!

Sunday, February 1, 2009

THE JAMES DEANS now available!

What helped guide two-time Shamus Award winner Reed Farrel Coleman to become a writer? Here are the books & films that have most infuenced Coleman (in no particular order):

BOOKS
The Long Goodbye (by Raymond Chandler)
The Little Sister
(by Raymond Chandler)
Red Harvest (by Dashiell Hammett)
The Maltese Falcon (by Dashiell Hammett)
Foundation Series (by Isaac Asimov)
The Robots of Dawn (by Isaac Asimov)
Slaughterhouse Five (by Kurt Vonnegut)
Cat’s Cradle (by Kurt Vonnegut)
Steppenwolf (by Herman Hesse)
The Stranger (by Albert Camus)
The Berlin Stories (by Christopher Isherwood)
Berlin Noir Trilogy (by Philip Kerr)

MOVIES
The French Connection (1971)
The Third Man (1949)
Dr. Strangelove (1964)
The Outlaw Josie Wales (1976)
Touch of Evil (1958)
The Godfather (1972)
The Producers (1968)
Crimes and Misdemeanors (1989)
The Day the Earth Stood Still (1951)
Soylent Green (1973)
Diva (1981)
The Entertainer (1960)
The Anderson Tapes (1971)
The Long Good Friday (1980)

And stores should now be receiving their copies of the new Busted Flush Press edition of Coleman's Shamus / Anthony / Barry Award-winning third Moe Prager novel, The James Deans (978-0-9792709-8-7; trade paperback; $14). Though you might already have the original Plume version (published in 2005), you may want to consider getting the new edition for its original foreword by best-seller Michael Connelly, new afterword by Reed Coleman, two Moe Prager short stories ("Requiem for Jack" and "Requiem for Moe"), and the excerpt of Tower, the forthcoming novel written by award-winning crime writer Ken Bruen & Reed Farrel Coleman.

“Some writers can make you feel that they have inhabited their characters to a degree associated with demonic possession, but Reed Farrel Coleman’s gift is to graft that sensation onto the reader, so that he or she feels they’re wearing the character like skin. . . . [A] terrific writer, one of the finest of his generation. If you haven’t read The James Deans yet, do yourself a favour and do so. It’s how books are supposed to be.”—Declan Burke, author of The Big O


You can find The James Deans (and the first two Moe books -- Walking the Perfect Square and Redemption Street) at your favorite independent, chain, and online bookseller... here are a few links:

IndieBound (find an indie bookstore near you!)
Independent Mystery Booksellers Association (find a mystery bookstore near you!)
Murder By The Book (Houston, TX)
And here's a advance look at what's coming from BFP in about 3 weeks:

Just Another Day in Paradise (by A. E. Maxwell; 978-0-9792709-6-3; trade paperback; $13) Originally published by Doubleday in 1985, this is the first novel in Maxwell's exciting Fiddler & Fiora crime series. Fans of John D. MacDonald and Randy Wayne White should miss this! More to come soon...

“A. E. Maxwell wrote one of the smartest, most consistent PI series in recent memory. Big plots, great villains, and a kickass private eye with plenty of humanity. The toughness of Robert B. Parker’s early Spenser novels blended with the wry humor and scope of Ross Thomas. Wholly original, endlessly entertaining. The books of A. E. Maxwell are a forgotten treasure.”—Tim Maleeny, author of Greasing the Piñata and Jump