Wednesday, July 28, 2010

TOMATO RED excerpt

Tomato Red
(by Daniel Woodrell; foreword by Megan Abbott; Busted Flush Press; 978-1-935415-06-0; $15)
© Daniel Woodrell, 1998, 2010


Theme Park of Fancy

YOU’RE NO ANGEL, you know how this stuff comes to happen: Friday is payday and it’s been a gray day sogged by a slow ugly rain and you seek company in your gloom, and since you’re fresh to West Table, Mo., and a new hand at the dog-food factory, your choices for company are narrow but you find some finally in a trailer court on East Main, and the coed circle of bums gathered there spot you a beer, then a jug of tequila starts to rotate and the rain keeps comin’ down with a miserable bluesy beat and there’s two girls millin’ about that probably can be had but they seem to like certain things and crank is one of those certain things, and a fistful of party straws tumble from a woven handbag somebody brung, the crank gets cut into lines, and the next time you notice the time it’s three or four Sunday mornin’ and you ain’t slept since Thursday night and one of the girl voices, the one you want most and ain’t had yet though her teeth are the size of shoe-peg corn and look like maybe they’d taste sort of sour, suggests something to do, ’cause with crank you want something, anything, to do, and this cajoling voice suggests we all rob this certain house on this certain street in that rich area where folks can afford to wallow in their vices and likely have a bunch of recreational dope stashed around the mansion and goin’ to waste since an article in The Scroll said the rich people whisked off to France or some such on a noteworthy vacation.

That’s how it happens.

Can’t none of this be new to you.

The gal with her mouth full of shoe-peg corn and the bright idea in the first place drives over and lets me off at the curb, and there’s another burglar passed out in the backseat who won’t be of any help. She doses a kiss out to me, a dry peck on the lips, and claims she’ll keep her eyes peeled and I should give the high sign once I’ve burgled my way inside.

The rain has made the ground skittish, it just quakes and slides away from my footsteps, and this fantastic mist has risen up and thickened so that eyesight is temporarily marked way down in value.

I stumbled into a couple of different hedgerows, one about head high and one around the waist, before I fell onto the walkway. The walkway was, I suppose, made of laid brick, but the bricks were that type that’s bigger than house bricks, more the shape of bread loaves, which I think classes them as cobblestones or something. So I wobbled along this big brick walkway, on up the slope and past a lamppost in the yard that made a hepatitis-yellow glow, straight to the backside of the mansion.

Rich folk apparently love their spectacular views, pay dear for them, I’m sure, so there was all this glass. The door was glass and the entire rear wall practically was glass. By sunlight I’d reckon you could see the total spread of the town and long, long pony rides’ worth of countryside from any corner in there. All that window gave me brief goofy thoughts of diamond-point glasscutters and suction cups and the whole rigamarole of jewel-thief piss elegance but, actually, with my head out to lunch as it was I just grabbed a few logs from the firewood stack on the patio there and flung them at that glass door.

I suppose I had a sad need to fit in socially with those trailer-park bums, since I imagined they were the only crowd that would have me, because when that first chunk of wood merely bounced from the glass door and skidded across the patio I became bulldog-determined to get the job done for my new friends, and damn the effort or obvious risk.

The logs hit with a bang. Two, three, four times I chucked firewood at that glass and never heard anything close to the sound of a shatter. I sidled up in the mist and skimmed my fingers over the door and felt, I think, the start of some tiny hairline fractures, but there were no big, hopeful splits.

The glass of that door surely had some special qualities that must’ve been expensive to come by, but worth it, I’d have to say, judging from the wimpy way those logs merely bounced and failed to bust me in there. But I kept pitchin’, and bangs kept bangin’ out across that neighborhood of mist, until my pitches became tired and wild and I whipped a firewood chunk three or four yards off-line and into a small square window to the flank of the door, and that glass thankfully was of a typical lower order and flew all to pieces.

The glass shatter seemed like a sincere burst of applause, a sincere burst of applause that would come across as alarming and requiring a look-see to any ears open out there in the mist. I went motionless, tried to be a shadow. Pretty quick I heard a derisive shout from shoe-peg mouth, something that might’ve hurt my feelings to hear clear, then tires squealed and carried my social circle away, leaving me to do the mansion solo.

I stayed a still shadow for a bit, but my mind, such as it was at the moment, was made up and determined: I needed friends, and friendship is this slow awkward process you’ve got to angle through, and I could yet maybe find what we looked for, return to the trailer park on foot as both a hero and the sudden life of the party.

When no alarm was raised, I came out of my shadow imitation and went to the broken window. The mist felt like a tongue I kept walking into, and my skin and clothes seemed slobbered on. The world aped a harmless watchdog, puttin’ big licks all over my face.

The window was set too high to spring through, and the glass was not perfectly broken out. There were jaggedy places with long points. I got up on tiptoes and reached my arm through, extra careful, but couldn’t reach a latch or doorknob or anything worthwhile.

The batch of flung logs had scattered about and lay underfoot, and the third or fourth time I stumbled on one this thought jumped me. The thought called for a ladder of firewood chunks, and I went to work building this theory that had jumped me from below. That mist made any effort seem sweaty and sweat made me feel employed and that made me start expectin’ a foreman to come along and, because of the part in my hair or the attitude of my slouch, fire my ass on a whim, as per usual. But the ladder got built and came to reach the height it needed to.

I think I thought this ladder invention meant I was thinkin’ straight.

Atop the ladder I wrapped my T-shirt around my fist and punched the jagged parts loose until there was a clean frame that could be wriggled through without gettin’ carved along the flanks.

I slithered inside, uncut, and tumbled among the riches.

My distance perception had gone tilt in my head and that floor reared up and swatted me awful quick. The floor felt like a clean street, a street of that marble stuff, I reckon, maybe Mexican tile, only it was in the kitchen area and mighty stern to land on, especially with that tilt factor in my head, as I barely raised my arms to brace before skidding across it. I’d judged I had further to fall, but huh-uh, and the pain jangle spanned from my elbows and knees to my shoulders and toes. I squealed and rolled and chop-blocked a highback chair in the dark there and sent it tumbling.

You might think I should’ve quit on the burglary right then, but I just love people, I guess, and didn’t.

I became a shadow again, splayed on that imported floor, listening to the mansion. It was supposed to be empty, but newspapers get so many things wrong. Best not to trust them overmuch. The mansion had a slight glow going on inside there, and I got it that they had left a couple of lamps burning in a distant room. The lamps were likely set on a timer and meant to warn away such as I so such as this wouldn’t happen.

These burglar lights helped my eyes to focus.

Standing again, finally I slid my shirt on and rubbed my sore spots, then let my feet aim me toward the glowing room. The crank comedown was settin’ in, I think, from the way my feet got heavy and weaved and stomped. This mansion smelled of big achievements and handbags from Rome and unknown treats, which were better scents than I was used to. The walls even seemed special, kind of, as my fingertips skipped along them feeling how fine and costly they felt. My mind, I’d say, stumbled along two or three steps behind my body. More like a waiter than a chef.

When I wobbled inside that lit-up room the wind jumped from my chest. I gasped, groaned, mewed. My legs folded beneath me and I fell face first to a soft carpet that smelled sweeter than my ex-wife’s hair and brought to mind sheep in a flowery meadow high in the Alps or Japan or Vermont or some similar postcard spot from out there in the world where the dear goods I’ll never own are made.

The sight and smell of all this shook me.

I know I trembled and breathed shallow.

The mansion was the way I’d always feared a mansion would be, only more so. In my fear I’d never managed to conjure the spectacular astounding details. A quick inventory of only this one room made me hate myself. Made me hate myself and all my type that came before me. This mansion was sixteen levels higher than any place I’d ever been among.

As I stared about—gawked, probably—I likely blushed pink to go along with those trembles.

I’d say what such things as I saw in that room were, if I knew the proper names of such things, though I’d bet heavy I’ve never heard those names spoken. I’m sure such things have personal names—those special moody lampshades made of beadwork, and a chair and footstool put together with, like, weaved leather hung on frames of curled iron or polished rare bones, maybe, and end tables that had designs stabbed into them and stuffed with gold leaf or something precious, a small and swank desk over by the far wall, and a bookshelf so old our Revolution must’ve happened off to the sides of it, carved up with fine points and nicely shined, with a display of tiny statues and dolls arranged just so all across it.

Pretty soon I crawled away from the light, back to the dark parts of the mansion. That sinking feeling set in. Truly, I felt scared, embarrassed for the poorly decorated life I was born to.

This mansion is not but about a rifle shot distant from the trailer park, but it seemed like I’d undergone interplanetary travel. I’d never collided with this world before.

I collected myself in the kitchen. Shuffled my parts back together. My breaths deepened to normal. That splendor had stunned me and then sickened me with a mess of recognitions.

You see the insides of a classier world like that and it sets your own to spinning off-balance, and a tireless gnawing discontent gets to snacking on your guts and spirit. This caliber of a place makes you want to discriminate against yourself, basically, as it reveals you as such a loser. A tiny mote of nothin’ much just here to muss up the planet these worthies lived so grandly on and wished they could keep clean of you and yours.

I ain’t shit! I ain’t shit! shouts your brain, and this place proves the point.

Oh, hell yes, this mansion was a regular theme park of fancy fuckin’ stuff I never had, never will, hadn’t ever truly even seen in person.

Naturally there’s some urge to just start smashing amuck in the mansion, whacking all those glamorous baubles and doodads as if these objects had personally tossed you a key ring and told you to fetch their car. That urge is there, to see things shatter, dent, sag with ruin. That urge is always there, usually in shadow though never far away.

But I don’t need to want that anymore, or at least lately, so instead I decided to eat.

That mist had gotten bunchy and milled up against the kitchen windows like a rubbernecking crowd peeking in on a private moment. A few wisps shoved in through the busted window and gave me the sense of long fingers slowly pointing.

There was a button on the wall beside the stove, and I punched it and got light. The light pushed the crowd back, slapped away those pointing fingers. This kitchen came near to the size of a decent trailer home. There were, close as I could figure, two stoves or three, or just one giant with a dozen burners. Cabinets ran to the ceiling, made of some blond wood from Oriental lands, I’d guess, and the ceiling was yea tall, so there was a cute li’l stepladder on a runner that slid from cabinet to cabinet so you could see into the upper shelves. A pretty dapper rendition of woodwork, in my opinion. The fridge resembled a bank vault, a big dull metal thing with heavy doors.

The funny thing about these swell folks is they don’t leave much food to scrounge. I did a run-through of the fridge and found that all the familiar items were frozen. It disappointed me that there were no exotic leftovers. In the freezer part I turned up a booze bottle that belonged on the pricey shelf at the Liquor Barn. The label on the bottle resembled an eye-test chart, Russian or one of those names, but after a few chugs I could testify it was vodka, for certain, and a quality version of it too.

I began to thrash through the cabinets hunting for peanut butter because I’d seen mayonnaise in the fridge, and peanut butter and mayonnaise meant I could sleep. I could let the crank go bye-bye and sleep. I can’t sleep without food nearby. I can’t sleep anywhere until I know I’ll get to eat again if I need to. I don’t have to eat, yet I can’t rest without bein’ positive sure there’s food at hand, but these folks apparently didn’t stoop to peanut butter ’cause there wasn’t any. Peanut butter is the prescribed hunger medicine for poor folks, and there’s always a scraping or so left in the bottom of the jar, somewhere way back in the cupboard. I’ve been to bed hungry plenty and my tummy whimpered and whimpered and those whimpers are forever on tape in my head.

The vodka at least gave my gut growls instead of whimpers.

Some cheese turned up in the fridge. It’s a nice round hunk, but it’s not yellow. It’s some nearly white kind that smells too gourmet for me, but the hunk was silky smooth and plump as a newborn’s rump and I had the sensation of sinkin’ my teeth into a pampered baby’s butt for a taste.

The flavor was odd but okay, and I knew then I could rest.

The vodka and me and the baby butt of cheese wandered down a dim hall. When crank dies out, a big sudden tired hits, and I could feel it windin’ up to smite me. You sleep where you land. I got to a room that echoed as I walked and sounded big, until I bumped my shin on a chair, then fell into it, and threw my head back and raised my feet to the stool out front.

My collapse had been into a calfskin wingback chair, and I just folded into it, tucked myself away secretly there like a French tickler in a gentleman’s leather wallet.

The dreams that made the scene inside my skull weren’t dreamy dreams, but rather more like long news clips from kangaroo court sessions convened on me in a gaudy plush holding cell, and the entire jury was made up of loved ones I’d sorely disappointed since they were buried and whiskery perverts who took a shine to me just the way I was.

I slept for over a full day, as you know, but I won’t say I rested.


“There are a handful of writers who are known, read and revered by other writers for the brilliant beauty of their words. Some have become better known—James Lee Burke is an obvious example—but some haven’t yet achieved the wide readership that they deserve. Daniel Woodrell is chief amongst them. He’s created his own niche in the mystery world—‘Ozark Noir’—and he’ll dazzle you with each page. Chandler once wrote his ideal of a private eye and I think it applies to writers as well, certainly to Woodrell: ‘He must be the best man in his world and a good enough man for any world.’ Woodrell is the best at what he does and he can equal the best writing in any other world.”—JB Dickey, Seattle Mystery Bookshop


Find Tomato Red at your favorite bookseller or online retailer!

Here are a few links:
Square Books (Oxford, MS)
Big Sleep Books (St. Louis, MO)
Seattle Mystery Bookshop (Seattle, WA)
"M" Is for Mystery (San Francisco, CA)
Murder By The Book (Houston, TX)
Barnes & Noble

Busted Flush Press

Monday, July 26, 2010

Moe & Zoë!

Reed Farrel Coleman

Reed's sixth Moe Prager novel, Innocent Monster (Tyrus Books; October; $24.95), gets a very nice review in Publishers weekly: "In Shamus-winner Coleman's darkly impressive sixth Moe Prager mystery (after 2008's Empty Ever After), the retired Brooklyn PI takes on a baffling missing person case only because his estranged daughter, Sarah, begs him to help. In the three weeks since art prodigy Sashi Bluntstone, the 11-year-old daughter of Sarah's childhood friend Candy Castleman, disappeared from a walk on the beach near her Long Island home, the police have found no trace of the girl, who 'skyrocketed to prominence at age four when her Abstract Expressionist paintings... began selling for tens of thousands of dollars.' Prager, who encounters a host of ugly characters, including parents Max and Candy, who aren't telling all they know, and resentful painter Nathan Martyr, becomes increasingly sure that Sashi is dead, but keeps slogging along. His past as a cop . . . and his current career as a wine merchant make Prager a complex character well suited to handle a complex mystery."

Zoë Sharp

Zoë's THE CHARLIE FOX MYSTERIES -- centering on ex-army self-defense expert and one time Special Forces candidate, Charlotte "Charlie" Fox and her all-action, high octane adventures in the world of close protection -- has been sold to Twentieth Century Fox TV, by Alan Nevins at Renaissance Literary & Talent on behalf of Jane Gregory at Gregory & Company. Now that would be an awesome show!

Find the first Charlie Fox thriller, Killer Instinct (paperback, $15), from Busted Flush Press.

Friday, July 23, 2010


We now have a cover for Ken Bruen's The Hackman Blues, which makes its U.S. debut next summer. The BFP edition will include a new foreword by crime writer Ray Banks and a new afterword by Bruen. The cover was designed by Michael Kellner, who worked on many books for Dennis McMillan Publications! Isn't it positively wonderful?? The book's pretty darn good, too...

"I was drowning in a sea of mediocre writing and half-arsed attempts at ersatz amorality when The Hackman Blues sideswiped me like the worst kind of mugger. The sheer strength of the prose knocked me to the ground, battered and bruised... and yet I found myself pleading for more. The Hackman Blues is British noir at its most brutal and honest, populated by characters you could never love but find yourself unable to leave. This is the book that reminded why I love crime fiction... And know The Hackman Blues is the book that will change the way you read crime fiction, that will show up most other writers trading in the darkness of the soul as rank amateurs compared to Ken Bruen. This is noir. This is Bruen. This is The Hackman Blues." -- Russel McLean, author of The Good Son and The Lost Sister

"It’s not a book that wants you to be comfortable. In fact, it wants to hurt you with its relentless nihilism. Which is why this one’s my favourite. To me, it’s what crime fiction should be -- visceral and unrepentant. We should be shown that crime is a filthy, warped and damaging thing. And The Hackman Blues does this in spades. So enjoy, but don’t say you weren’t warned." -- from the foreword by Ray Banks, author of Saturday's Child

Tuesday, July 20, 2010

INNOCENT MONSTER launch party announced!

Reed Farrel Coleman will launch the publication of his sixth Moe Prager novel, Innocent Monster (Tyrus; hardback, $24.95; paperback, $14.95), at NYC's Mysterious Bookshop, Thursday, October 7th, 7-9 p.m. BFP will also have the 4th & 5th Moe books back out in time: Soul Patch (w/ a new foreword by Craig Johnson; paperback; $14) and Empty Ever After (w/ a new foreword by S. J. Rozan; paperback; $14). The rest of Reed's tour to be announced soon!

(And let me say this... Innocent Monster is among Reed's best works yet!)

Tuesday, July 13, 2010

BFP to publish Daniel Judson's "Gin Palace" Trilogy!

Years ago, Bantam published the first two books in Daniel Judson's "Gin Palace" private eye trilogy, The Poisoned Prose and The Bone Orchard. Sadly, even after being nominated for one Barry Award, two Shamus Awards and winning one Shamus, the Declan "Mac" MacManus series was dropped before Dan could wrap things up. At long last, 2011 will see the long-awaited return of reluctant Hamptons P.I. MacManus as BFP reprints the first two, and publishes the never-before-seen third novel, The Gin Palace.

I've been a friend of Dan's for years, and I still remember reading that "first" (quotes explained in a minute) Mac book while I was laid up after oral sugery back in 2002 (which is neither here nor there, but considering my mindset, I was feeling mighty finicky). I thought The Bone Orchard was one of the best debut P.I. novels I'd read in a really long time.... even though I was slightly confused throughout. You see, the two books were published out of order, and when reading The Bone Orchard, you know pretty much all of the events of The Poisoned Rose, without really understanding what was going on.

Anyway, ever since I started Busted Flush, I've been talking with Dan about publishing them all, and now, at long last, the trilogy will be published as intended, with The Poisoned Rose out in the summer, and The Bone Orchard and The Gin Palace out in the fall, in time for Bouchercon 2011!

These gritty P.I. novels are perfect for fans of Reed Farrel Coleman, George Pelecanos, Sean Chercover, and Dennis Lehane.

"Judson's cinematic prose and realistic dialogue create lush, vivid scenes... [T]his taut thriller is far from predictable, and its dark and mysterious plot suits Judson's understated writing style." -- Publishers Weekly on The Poisoned Rose

"A vivid cast of characters and a frightening plot packed with dead bodies combine to make Judson's atmospheric debut thriller one of the year's more memorable reads." -- Publishers Weekly on The Bone Orchard

Saturday, July 10, 2010

Cover for A. E. Maxwell's summer 2011 book!

Busted Flush Press has been reprinting the Fiddler & Fiora crime novels by A. E. Maxwell, with the fourth, Just Enough Light to Kill, having come out a few months ago. We're now gearing up to do the next two in the series in 2011, starting with #5, The Art of Survival (978-1-935415-16-9; paperback; $14), in which Fiddler heads to Santa Fe & finds himself embroiled in a mystery surrounding the discovery of a new Georgia O'Keefe painting.

Here's a sneak peek at the new cover, designed by the outstanding Lisa Novak, who has worked on the previous four Fiddler reprints...

"The story is unnerving, mesmerizing and, when relief from fierce tensions is required, blessedly funny." -- Publishers Weekly

If you haven't yet discovered this wonderful private eye series, start with Just Another Day in Paradise. Perfect for fans of Robert B. Parker, Robert Crais, and John D. MacDonald!

Thursday, July 8, 2010


Dan Chaon -- the National Book Award-shortlisted author of Among the Missing and Await Your Reply -- has some kind words about Daniel Woodrell's The Death of Sweet Mister (being reprinted by BFP in March 2011). At Houston's Murder By The Book (my day job), Chaon's Among the Missing was one of our favorite books of 2009!

"Daniel Woodrell is one of my favorite contemporary writers, and The Death of Sweet Mister is one of his best. His books are often described as 'noir,'and it's true that they are often dark and shocking. But to me, the most shocking thing is the unsentimental tenderness that he brings to his portraits of these deeply troubled characters. This is an incredibly moving book, in addition to being an eye-popping, disturbing, blow-the-top-of-your-head-off work of suspense. I would say it's sort of a masterpiece." -- Dan Chaon, author of Await Your Reply

Look for Woodrell's Tomato Red from Busted Flush Press in August, and The Death of Sweet Mister next spring. And don't miss one of the indie-film hits of the year, Winter's Bone (based on Woodrell's 2006 novel), in theaters now!

Sunday, July 4, 2010

DAMN NEAR DEAD 2's table of contents!

Behold, the table of contents from this November's Damn Near Dead 2: Live Noir or Die Trying! (trade paperback original; 978-1-935415-40-4; $18)...

Take a stroll down the boulevard of broken hips...

Edited by Bill Crider
Introduction by Charlaine Harris

“Sleep, Creep, Leap” (by Patti Abbott)
“El Conejo” (by Ace Atkins)
“Stiffs” (by Neal Barrett, Jr.)
“The End of Jim and Ezra” (by C. J. Box)
“Out Stealing Buddha” (by Declan Burke)
“Love Story” (by Scott Cupp)
“All About Eden” (by Christa Faust)
“Flying Solo” (by Ed Gorman)
“Neighborhood Watch” (by Carolyn Haines)
“Memory Sketch” (by David Handler)
“Some Things You Never Forget” (by Gar Anthony Haywood)
“The War Zone” (by Cameron Pierce Hughes)
“You’re Only Dead Once” (by Dean James)
“The Sleeping Detective” (by Jennifer Jordan)
“Kids Today” (by Toni L.P. Kelner)
“The Old Man in the Motorized Chair” (by Joe R. Lansdale)
“Angel of Mercy” (by Russel McLean)
“Miss Hartly and the Cocksucker” (by Denise Mina)
“Sometimes You Can’t Retire” (by Marcia Muller)
“The Investor” (by Gary Phillips)
“Bill in Idaho” (by Scott Phillips)
“Zypho the Tentacled Brainsucker from Outer Space vs. the Mob” (by Tom Piccirilli)
“Trade Secret” (by Bill Pronzini)
“The Summer Place” (by Cornelia Read)
“Warning Shot” (by James Reasoner)
“Cutlass” (by Kat Richardson)
“Chin Yong-Yun Takes the Case” (by S. J. Rozan)
“Granny Pussy” (by Anthony Neil Smith)
“Old Men and Old Boards” (by Don Winslow)

I am so excited about this anthology... as with the first DND, there isn't a clunker in the bunch! Scheduled to be launched at NoirCon in Philadelphia, Nov. 4-7!

And don't forget the award-winning anthology that started it all!
Damn Near Dead
(edited by Duane Swierczynski; trade paperback original; 978-0-9767157-5-7; $18)

Friday, July 2, 2010


"Charlie Fox came on strong in Zoë Sharp's early novels but, like a lot of tough girls, softened up with time. Now, thanks to an enterprising small press, we can catch Charlie in the rough. Originally published in 2001, Killer Instinct finds this army-trained martial-arts expert on her first job, working security for a club in an English seaside town. Charlie looks like a made-for-TV model, with her red hair and motorcycle leathers, but Sharp means business. The bloody bar fights are bloody brilliant, and Charlie's skills are both formidable and for real." -- Marilyn Stasio, The New York Times Book Review, July 4, 2010

Thanks, Ms. Stasio!!